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Danielle Harris Reveals ‘Stake Land’ Webisodes!

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While visiting the set of Dark Sky Films’ Stake Land in the cold, upstate Catskill Mountains, leading lady Danielle Harris spilled the beans about a series of webisodes that were shot for each of the main characters in the film. You can read all about them beyond the break. Being helmed by Jim Mickle (Mulberry Street), the flick takes place following a global spread of vampirism.
Kelly McGillis plays a nun who joins a small team of survivors – including Danielle Harris – as they make a treacherous journey north to safety through the war-torn U.S.

With there being so little dialogue in Stake Land (watch for our full report soon), and virtually no back stories, some of the lead actors and actresses in the movie have directed their own shorts, which will be available for viewing before the film’s release.

I just directed a webisode for Stake Land,” Danielle Harris told Bloody-Disgusting. “The webisodes are a nice little look inside our lives before we met. They’re short, maybe four to seven minutes each. It’s a great chance to sort of see all the directors’ styles, and how we differ from one another, which I don’t think is done very often, giving the fans the chance to sort of become emotionally invested in these characters before they watch them. A little snippet into their lives.

Further conversation revealed that Danielle Harris would be singing in her back story.

I come out in a beautiful, risqué, very short, cleavage gown… I’m just kidding. No, there’s no Sequin gowns in this movie! It’s just a nice way to sort of introduce who Belle is. We’re sort of having a little honkey tonk. We’re singing – Jim Mickle (director) and Adam Folk (producer) were out there with me – one playing the banjo, one playing the guitar. I got a chance to sing, and I have a horrible cold – I don’t have the greatest voice to begin with. I guess I can kind of carry a tune. But, um… I gave it my all. I’m the girl you usually have to bribe when I’m drunk – cause I don’t get up and do kareoke, no matter how much money you put on the table. I did it once, because Quentin Tarantino directed me up on stage and I just couldn’t resist, but other than that, I just don’t get up on stage. So – this was new for me. It will be interesting to see. I think it will be on the soundtrack, which I’m really nervous about.

When asked if it was ever considered to go into a studio:

Jim is really about leaving it real and keeping it real and not having it look like we’ve done it in the studio, pitch corrected. I don’t really care, to be honest,” said Danielle, shrugging it all off. “Whatever. I’m not a singer, I’m an actress. But it was fun to do. Again, I have this cold, and I couldn’t really hear myself, so it’s probably a little bit off key. Or a lot off key. But I got the crowd going, which is all that really mattered. And then I left, drove six hours, slept, got up and drove to the mountains and watched the sun rise for my short. I shot for twelve hours today. And now I’m going to bed…

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

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