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[BEST & WORST ’11] The Worst Trailers of the Year!

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Most of these are trailers for films so bad there’s simply no way to cull two minutes of footage from them and make them look good. Though many of them try, they fail and end up as middling pieces of marketing.

Then there are the ones who seem to know just how bad the film is, as if the guy cutting the trailer realized that people were going to waste actual money to see this thing if he did his job properly and “saved the film”.

This dude – let’s call him “Hero” – looks like he cut some of these teasers, valiantly laying his job on the line to tell us to avoid these movies.

Check out some truly bad trailers after the jump! Bloody Disgusting 2011 Best and Worst Horror Movies

Mr. Disgusting (Best/Worst) | Ryan Daley (Best/Worst) | BC (Best/Worst) | David Harley (Best/Worst)
Micah (Best/Worst) | Lonmonster (Best/Worst) | Evan Dickson (Best/Worst) | Lauren Taylor (Best/Worst)
Posters (Best/Worst) | Trailers (Best/Worst) | Performances (Best)

Apollo 18

For about 30 seconds this trailer almost manages to make us forget that we’re watching an advertisement for something as stupid as a found footage movie on the moon. And then it hits us, it’s indeed a found footage movie on the moon. What’s wrong with that? Well, it takes a normally visually static genre and makes it even more static. Also, the concept alone takes the single best weapon in the found footage arsenal – the feeling that this could happen to you – and completely removes it by making it about astronauts 250,000 miles away. There’s no polishing a turd, and this trailer proves it.

The Rite

Holy crap this just gives me flashbacks to the early-mid 1990’s when horror movies were just boring as sh*t. Adding Anthony Hopkins only makes it worse because, even though he was in the best horror film of that era, he’s also king of the paycheck and has been in his share of middling garbage. It’s a bad association to bring into the most boring genre of horror – the religious thriller. There’s only been like four good ones, and the The Rite ain’t one of them.

Scream 4

I actually liked Scream 4 more than many of my contemporaries/colleagues. It’s by no means anywhere as good as the first film, but it escapes the godawful shenanigans of Scream 3 by a wide margin. Sure it has its share of stupid moments, but if you don’t think Scream 2 had those I’d suggest thinking long and hard about who the killer in that movie was.

Sadly, the trailer for Scream 4 was everything its critics (somewhat rightfully) accused the movie of being. Overly referential, reflexively mistaking “meta” with “clever” and just generally being super annoying. It had none of the occasionally nice character moments or brutality that the film used to dilute its own worst ideas.

Red State

While I included the poster for Red State as one of my bests of the year, that’s about as far as I can go in terms of love for the film or anything related to it. All this trailer does is expose just how much Smith is treading water in terms of his development as a visual director while somehow regressing dramatically as a writer. Seeing the actual film, which includes several seemingly full length sermons from Michael Parks, only compounds the issue.

The Raven

Earlier this year I took part in a roundtable interview with director James McTeigue. When I asked him how he was going to differentiate the film from Sherlock Holmes this was his response, “We’re a much different beast… We’re about as close to ‘Sherlock Holmes’ as ‘Transformers’ is.

He might want to call the marketing department and let them know.

Straw Dogs

Even though this Straw Dogs remake was unnecessary, it was far from being a truly bad movie. But this trailer that tries to recontextualize the whole thing into a modern, almost Texas Chainsaw remake, “check out how hardcore things are gonna get” piece is borderline offensive. It also completely misrepresents the film.

Creature

Almost as inept as the film itself (and this trailer includes almost as many blank frames as it does images! Perhaps an homage to the film’s off-camera climax), this is fairly upfront about how visually flat and boring the film is. It’s also honest about how not scary and unfunny the film is. Being honest about the shortcomings of Creature is an admirably brave, yet fatal, mistake.

Priest

Quick question – has a movie ever been made to look less interesting than Priest? I’d say no. I didn’t see the film and this trailer is largely responsible for that. If somehow the actual feature managed to be interesting at all, let me know in the comments.

Dylan Dog

I’ve seen Syfy trailers that play their cards closer to the chest in terms of how crappy their film is. Christ.

Season Of The Witch

You know how in Tropic Thunder Ben Stiller played a character named Tug Speedman who starred in the godawful ‘Scorcher” franchise? “Scorcher” only wishes it looked as hilariously bad as Season Of The Witch. Kids, this is what happens when you spend all of your money on castles before remembering to pay your taxes. You have to make Season Of The Witch.

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Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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