Movies
Alex Aja Defends Post 3-D ‘Piranha’, Talks Blood and Guts
When Dimension Films delayed Piranha 3D – Alex Aja’s remake of Joe Dante’s classic 80’s film – speculation ranged from the fact that Dimension wanted to avoid a box office battle with Lionsgate’s Kickass to the notion that the film needed a lot more work in FX department. While we wait until August for the massive attack, Aja talked with MTV about the post 3-D conversion, while also revealing a few scenes that he enjoyed shooting.
The conversation kicks off with a little Piranha hype.
“I understand why James Cameron in “Avatar” didn’t want to make the 3-D gimmicky, and he was right,” he tells MTV. “But we are making a piranha-attacking-spring-break movie, so we are going to go for the huge on-the-screen effects and fish attacking the audience.”
Aja claims to have been skeptical of post-conversion 3-D until he saw footage of Star Wars and Titanic.
“We were going to shoot with the camera system Cameron used, and we found out that, of course, we don’t have the same budget as an “Avatar” or as much time. And shooting on the water with a real 3-D camera brings some very big restrictions in terms of dealing with reflections. But I was very, very skeptical about the 3-D conversion, because it felt so unnatural to create 3-D when it’s flat at the beginning. And I saw a lot of demo reels, like some of the James Cameron “Titanic” conversion scenes, some of “Star Wars,” and 20 minutes of Peter Jackson’s “King Kong” fully converted into 3-D, and that was simply the best 3-D I’ve ever seen. Period.” That’s a bold statement. He’ll regret this after he sees Clash.
Speaking of Clash of the Titans, when you guys see that (or Alice in Wonderland), it will be quite apparent why post-3-D conversion is garbage. Aja defends his post-conversion process citing budget issues and the fact that all of the fish are CG.
“I was sold. And in addition to that, because all of our piranha are CG, they are all real 3-D in the computer. Our movie is going to be completely converted, but a big chunk of it will be real 3-D as well.”
For those of you who can’t wait until August, Aja explains just how blody the film is while also teasing one of his fav 3-D sequences.
“I think everything involving the fish is going to be fantastic. The biggest thing for the fans is going to be the big spring-break wet T-shirt contest, where we have thousands of spring-break groups on the water, and the party has its climax when the piranhas come and start attacking everyone. It’s almost 25 minutes of a huge massacre, and it’s really insane. I think we broke all the records in the manner of blood used. I don’t remember the exact number, but we passed “Kill Bill.” You’ve never seen something like that before.”
He continues, “Then there’s a more specific 3-D area, where at one point there’s a boat that’s sinking and they are rescued by another boat, and they cannot exit because there are a lot of rocks, and they are pulling a rope in between the two boats — like a ski rope — and they have to cross over, and the piranha are jumping, trying to get them. It’s a very, very big 3-D moment.”
Piranha 3D arrives in theaters August 27.
A contemporary reimagining of H.P. Lovecraft’s short story Herbert West: Reanimator is on the way, and Deadline has unveiled the first look at the new Herbert West and the pathologist drawn to his orbit.
The original screenplay and storyline come from Jade Sandberg Wallis.
Michael Grossman (“The Originals”, “Pretty Little Liars”) directs.
The new images introduce star Joseph Morgan (“Vampire Diaries“), who plays “brilliant surgeon and scientist Herbert West, who is obsessed with creating a serum to reanimate the dead.” Katie Cassidy (Speed Demon) stars opposite as the pathologist with a troubled past who joins his efforts.
Together, they prove that conquering death may be the ultimate sin against life itself.
The film’s official synopsis: “As a child, Herbert West watches his father Peter reanimate his dead mother Judith in a secret basement lab — only for Judith to mortally wound Peter and nearly kill Herbert before Peter shoots her. The trauma leaves its mark on Herbert, but so does one final image: his mother’s finger, twitching after death. Thirty years later, Herbert West is a brilliant, secretive surgeon still chasing his father’s obsession.
“Pathologist Kate Locke arrives in town and is drawn into his orbit — first through a spark at a hospital fundraiser, then through his secret lab, where he reveals a serum capable of reanimating severed tissue. Kate, hiding a dark past of her own, is thrilled rather than horrified, and moves into West’s mansion to work alongside him. Their early experiments on a cadaver succeed only briefly. West concludes that dead tissue is the problem — they need something fresher.”
Supporting cast includes Scott Aiello, Ira J Amyx, Randall Newsome, Emma Reinagal, James D. Bryce, Kathryn A Bentley, Jack Lancaster, Amy Holland Pennell, John Pierson, Mindy Shaw, Eric Dean White, Tristan Wilder Hallet, Adrienne Lamping, Aaron Crippen, and Drew Patterson.
Makeup artist Jeff Lewis (“Star Trek: Voyager,” “Star Trek: Enterprise”) and cousin Roger Lewis are heading the production via their newly established Woodlake Entertainment.
Lovecraft’s short story, first serialized in Home Brew magazine in 1922, is the first among his works to mention the fictional Miskatonic University. It was most famously adapted into a 1985 horror movie from Stuart Gordon, starring Jeffrey Combs as Herbert West.
Herbert West: Reanimator is set in Alton, Illinois, where production is now underway.
Herbert West: Reanimator. Photo credit: Matt Lief Anderson
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