Movies
‘Hellraiser’ – Doug Bradley Shares His Thoughts on Jamie Clayton Taking Over the Pinhead Role
At this weekend’s Silver Scream Con in Massachusetts, horror icon Doug Bradley — who, of course, portrayed Pinhead in Clive Barker’s Hellraiser and its first seven sequels — weighed in on the decision to cast Jamie Clayton as a female Pinhead in David Bruckner‘s upcoming Hellraiser reimagining.
“It seemed like [a female Pinhead] was coming. It’s an interesting piece of casting,” Bradley says. “I don’t know Jamie. Of course, they’ve taken even a little bit of a wrinkle in that, because Jamie is transgender. I’m not familiar with her recent work, but there was a science fiction series on Netflix several years ago called Sense8, which I was quite a fan of. Jamie was in that, and I really, really liked her performance in that.”
“I really can’t say more than that. I do like to point out that I did wear a skirt as Pinhead,” he adds with a chuckle. “It’s an interesting casting decision. Well, that only goes so far. We say ‘female Pinhead’ like we know what that means, but there are a million shades of femininity. Where exactly are they going to go with that?”
Bradley continues, “Everything about Hellraiser has always been transgressive. Everything, always, from start to finish. It’s not a new idea in that sense, but I’m intrigued. I’m in the same position as all the rest of you, I guess, to see where that goes.”
Bradley goes on to confirm that Chatterer will be among the Cenobites appearing in the new film. “I was at Monsterpalooza, a convention in Pasadena, a couple months ago, and I met the guy who’s playing the new Chatterer. He’s like 6’9″ and a beanpole, so they’re going in lots of different directions. It’s another interesting casting idea. Cenobites of all shapes and sizes!”
Ultimately, he emphasizes that the story is of paramount importance. “The thing that will make the movie work or not is none of that. It’s the story. If the story is strong, the movie will work. That’s why Hellraiser has succeeded; not because the Cenobites are gloriously fucked up and so is Julia, which they all are. All of those elements are magnificent in the film, and Chris Young’s score is one of the best ever written. All of that is true, but the story is what makes Hellraiser work, so we’ll see what happens.”
Bradley, along with the rest of us, will indeed see what happens when Hellraiser drops on Hulu on October 7.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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