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“Creepy Crawlers”: When the Bug-Making Toy Line Become a ’90s Animated Series [TV Terrors]

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Horror and science fiction have always been a part of the television canvas, and constant attempts have been made over the years to produce classic entertainment. Some have fallen by the wayside, while others became mainstream phenomena. With “TV Terrors,” we take a look back at the many genre efforts from the 80’s, 90’s, and 00’s, exploring some shows that became cult classics, and others that sank into obscurity.

This month we embrace ’90s nostalgia with the “Creepy Crawlers“!

  • Aired from 1994 – 1996
  • Aired in Syndication

For the majority of the 1990s, whenever I would turn on my television in the afternoon (or Saturday Mornings) to watch cartoons I would basically be bombarded with commercials for Mattel’s “Creepy Crawlers.” The ad played about eighteen times a day, and even with the bombardment of commercials urging me to buy it, it just seemed so much more fun as a concept than an actual toy. 

“They’re squirmy, they’re wormy, they’re purple and green. They’re the grossest little creatures that you’ve ever seen,” the commercials would proclaim.

With the toy, you could play mad scientist by taking various tubes of liquid plastic and making your very own multi-colored (occasionally neon) creatures with a variety of molds and some “baking.” Marketed as “Easy Bake Ovens,” but for boys, with “Creepy Crawlers” (Originally called “The Thingmaker”) you were capable of creating your own critters and monsters like worms, millipedes, spiders, scorpions… and basically anything that’s sticky, squirms, or goes splat.

The toy line gained enough steam and popularity with kids that it eventually spawned its own animated series in 1994. In the eighties and nineties cartoons became toys, and toys became cartoons. An interesting thing about the ’90s is that superhero shows had an odd habit of telling stories about good guys or villains that were byproducts of radioactive slime, sludge, or gooey substances. It stemmed from the Teenage Mutant Ninja Turtles craze, and this inspired a myriad of mutants or monsters of some kind that would either do battle with one another or fight crime. 

What’s unusual is that the “Creepy Crawlers” series was spearheaded by none other than Saban Studios who, at the time, was in the business of making money off of imported color-coded superheroes (ie. Power Rangers, VR Troopers, et al.). So, it’s pretty odd they’d put money into an animated series about slimy superheroes no one was all too familiar with. 

Developed by James Cross and Judy Martin, “Creepy Crawlers” centers on two warring groups of evil and heroic mutants brought to life from a young boy’s “Magic Maker.” Due to a once-every-thousand-years planetary alignment, the “Magical Millennium Moment” (because the 90s) rains down cosmic energy on the shop one fateful night. This somehow makes the “Magic Maker” capable of creating strange, man-sized mutant bug creatures. 

After building and perfecting its machinery, the boy (named Chris Carter) accidentally creates a group of large bug warriors named the Goop-Mandos. From the goop, three bug-like heroes inexplicably emerge with a friendly personality and ready to team up with their young creator. There’s the trickster Hocus Locust, the electric creature Volt Jolt, and strong man T-3. With the help of their new creator, they decide to perform missions of crime fighting of the utmost toyetic nature. 

The catch is that the heroes need Creepy Crawler goop to function. If not given enough, they simply can’t respond to Chris’s commands. To top it off, they have a sweet action vehicle they drive around in and, of course, each Goop-Mando has his own unique power. Enter the evil Professor Googengrime, an old crusty magician who steals the “Magic Maker” and creates his own creatures, but with an evil bent. Among them there’s “Spooky Goopy,” a green skeletal monster with a Peter Lorre accent (and a talking hat that helps his master in creating monsters from the Magic Maker), the cockroach themed “Shockaroach,” the bug themed “Squirminator,” and many more. Granted the designs for the Creepy Crawlers characters were pretty good (especially the villains!), but “Creepy Crawlers” is a mostly generic but serviceable animated vehicle for the decade.

Chris Carter, and his sidekick Samantha Reynolds, act as avatars for the target audience, while the monsters do most of the work and take center stage. Saban and the producers don’t entirely build charismatic characters as memorable as the Ninja Turtles, however. Googengrime’s Spooky Goopy is incidentally the only character with a ton of personality; he’s almost like a moving tattoo. That’s likely because of his horror roots and the very interesting character design that definitely warranted him a separate fan base. 

As with most of the cartoons from the decade targeted toward kids (and parents’ wallets), the primary focus of the show was getting the toy line off the ground, and they pulled it off. “Creepy Crawlers” did (almost immediately) even release their own line of action figures for the show, each with their own accessories including goop, a mold, and their own “goop” functions. Since its cancellation, the toy line has since pretty much forgotten the whole animated property altogether, which is pretty sad.

The series only lasted about two seasons before cancellation while the toy line did continue, eventually reverting back to the original monster/bug making device that kids loved so much. I’d suggest the “Creepy Crawlers” series primarily for nostalgia fans, or hardcore fans of “Creepy Crawlers” toys. Sure it wasn’t as dynamic as the Ninja Turtles, but it garnered some nifty character designs, and a concept filled with potential.

Is It On DVD/Blu-ray/Streaming? There has yet to be an official DVD or Blu-ray release for “Creepy Crawlers,” which may be because of rights issues between ToyMax and Mattel. However, various episodes can be found on YouTube.

Felix is a horror, pop culture, and comic book fanatic based in The Bronx. Along with being a self published author, he also operates his blog Cinema Crazed and loves 90's nostalgia. His number one bucket list item is to visit Ireland on Halloween. Or to marry Victoria Justice. Currently undecided.

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Editorials

Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]

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Renate Reinsve in 'Backrooms' - Horror ARGs

Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.

And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.

However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.

The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).

While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).

At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

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