Connect with us

Comics

Review: Stephen Kings’ The Stand Soul Survivors #2

Published

on

Marvel’s ‘The Stand’ arcs have thus far exceeded all expectations, following in the footsteps of the ever exciting ‘Dark Tower’ spin offs. It would seem that Stephen Kings’ stories, no matter how old, always seem to have relevance, and most importantly, the ability to chill you to the core. You’ll find the full review inside.

The Stand Stephen Kings’ ‘The Stand: Soul Survivors’, written by Roberto Aguirre Sacasa (“Sensational Spiderman”, “Angel Revelations”, and HBO’s “Big Love”) is the latest arc in the ongoing story of survival in a world ravaged by a deadly plague that is swiftly wiping out humanity.

The story of issue #2 finds us hot on the trail of a surviver named Larry Underwood once again as he makes his way across the countryside. Still haunted by the nightmares of The Dark Man and Rita, finds salvation in a small home in Maine. He finds that the dreams cease when he is there, and so he decides to roost awhile. Thankfully Sacasa doesn’t dwell too much on this period, instead transports us to Larry’s journey to the ocean. The peaceful moment is shattered almost instantly by a young boy named Joe who attacks Larry with a knife. The scuffle ends with Nadine, the boys mysterious yet beautiful guardian, talking the child down. Later on they are also joined by a young blonde woman named Lucy who also shares their reoccurring nightmares.

From then on we start to learn quite a bit more about the happenings in the world of ‘The Stand’, but like any 1 episode of ‘Lost’, we are given 1 answer and 52 new questions. The script for the issue is tight and compelling. Aguirre-Sacasa has done an outstanding job of capturing the feelings of despair and loneliness in a world God forgot. It is not easily forgotten that King himself has almost all creative control over his creations’ side stories. His touch is found in almost every bubble of dialogue, each character seeming to breathe the life of the beloved characters within his novels.

This is not to say that ‘The Stand: Soul Survivors’ doesn’t sputter a bit. the further we get into the story, the more questions we are given, and rarely are we handed answers. I do understand the importance of mystique, but if I wanted to feel annoyed and confused I’d watch Criss Angel.

Art wise Mike Perkins is as strong as ever, pushing us through the story with a steady hand. The vivid detail he contributes is one of the great draws of the series, and it never goes unnoticed just how well a job he does. The book ends with Nadine fainting oddly as the group are reading a note left by Harold and his group whom they are following. From the looks of it Nadine has some secrets of her own that just might tie her to Larry in a very personal way.

Rating: 4 out of 5 Skulls

Comics

[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

Published

on

Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

Continue Reading