Horror Reviews
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‘Stuffed’ Review: Jodie Comer & Harry Melling Find Love In Macabre Taxidermy Musical [TIFF 2026]
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‘The Devils’ Review: Ken Russell’s Masterpiece Has Never Been More Relevant Or Beautiful [TIFF 2026]
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‘River’ Review: Jane Levy Makes A Ferocious Horror Return In Throwback Slasher [TIFF 2026]
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‘Thousand Hells: The Underworld Heists’ Review: A Clever Narrative RPG Of Hellish Heists And Consequences
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‘Bad Karaoke’ Review: A Possessed Karaoke Machine Hits All The Right Bloody Notes
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‘Pictures of You’ Review: Josh Malerman Muses On Creativity With A Gripping Hostage Thiller
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‘Hope’ Review: Na Hong-jin’s Ambitious Alien Saga Starts With A Propulsive Bang
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‘Bride of Re-Animator’ 4K Review: A Glorious Tribute to One of the Goriest Sequels of the ’90s
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‘C.O.G.’ Review: Gory Horror Comedy Takes Aim At AI And Silicon Valley
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‘Dark Hollow’ Review: A Dark and Dreary Southern Gothic Creature Feature
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‘Bloody Psycho’ 4K Review: A Wild Piece Of Italian Horror Finds The Spotlight On Physical Media
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‘Halloween: The Game’ Review – Stealth, Stalking, and Michael Myers Shine In An Uneven Horror Experience
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‘Boorman and the Devil’ Review: New Documentary Compels You To Appreciate A Much-Maligned Horror Sequel
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‘Dead Media’ Review: Physical Media Is Alive and Dangerous In This Scrappy Indie Horror Movie
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‘Onslaught’ Review: Adam Wingard’s Gory Action Throwback Peaks Too Soon
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‘Aliens: Fireteam Elite 2’ Review – More Marines, More Xenomorphs, Not Enough Innovation
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‘Onimusha: Way of the Sword’ Review: Capcom Revives a Samurai Classic With Satisfying Swordplay Action
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‘The Blood of Dawnwalker’ Review: One of 2026’s Best RPGs Lets You Forge Your Own Vampire Legend
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‘The Simpsons: Yellow Mirror’ Review: A Bleak & Brutal ‘Black Mirror’ Parody
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‘There Are No Giant Crabs in This Novel’ Review: Another Excellent Cosmic Horror-Comedy by Jason Pargin
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‘Resonance: A Plague Tale Legacy’ Review: A Thrilling Action Spin-Off That Trades Horror For Adventure
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‘Paranormal Activity: A New Story Live on Stage’ Conjures Up Something Special In Broadway’s Scariest Show
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‘Colony’ Review: Yeon Sang-ho’s Pulse-Pounding Zombie Thriller Takes Aim at AI
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‘Bury the Devil’ Review: A Tense One-Take Horror Experiment That Mostly Pays Off
