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Ubber Violent DAY OF THE DEAD DISERTION 6 Page Preview!

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In case you missed the news a few weeks back, Arrow is planning a huge special edition Blu-Ray release for George A Romero’s 1985 masterpiece “DAY OF THE DEAD” to coincide with the films 25th anniversary. What makes this so special? The fact that Jeff Zornow (Fright Rags, “Halloween: The First Death of Laurie Strode”), Barry Keating (“Hack/Slash Meets The Reanimator”), and Stefan Hutchinson (Halloween comics) are collaborating on a 24 page original comic book to be packaged with the film that explains the origins of one of celluloid’s most famous zombies, Bub! It’s an all star cast of genre vets on this one, which looks to be a full on splatter fest. Inside you’ll find a sneak peek at the story that is gruesomely rendered by one of the best artists in the biz, Jeff Zornow!

“This March, Arrow Video celebrates the 25th Anniversary of writer-director George A. Romero’s 1985 horror masterpiece, Day Of The Dead, with a special two-disc Blu-ray release that features a host of world exclusive extras, including a restored presentation of the film, a new hi-def soundtrack (the original ‘uncensored dialogue’ version, completely restored), four alternate sleeves, a double-sided poster, a 24-page collector’s booklet ‘For Every Dawn There Is A Day’, plus a very special collector’s comic – ‘Day Of The Dead: Desertion’ – featuring a brand new ‘Bub’ storyline. Also after years of Dawn of the Dead getting all the great documentaries Day finally gets the retrospective it deserves with the all-new Joe of the Dead and Travelogue of the Dead.”



For those who aren’t familiar with the creative team on this one, Jeff Zornow is a very prolific artist within the industry who has donated his designs to many of Fright-Rags t-shirts as well as pencils for several comic books. His artwork is extremely unique, and usually when he takes on a project that means it’s going to be a quality effort. As for Keating he was the man responsible for the fan favorite “Reanimator” crossover in the “HACK/SLASH” universe for the folks over at Devil’s Due. I’m going to stay a bit skeptical on this one just because most movie tie-in stories lack in quality, but if this one is as exciting all the way through as the previews suggest then that theory might go right out the window.

“DAY OF THE DEAD: DISSERTION” Hits Stores On March 29th!

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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

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Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

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