Movies
Autonomy Pictures Comes Out Playing ‘The Bunny Game’
When we last heard any news about Adam Rehmeier’s The Bunny Game, it had been rejected for home video release by the BBFC who stated, “It is the Board’s carefully considered view that to issue a certificate to this work, even if confined to adults, would be inconsistent with the Board’s Guidelines, would risk potential harm within the terms of the Video Recordings Act, and would accordingly be unacceptable to the public.”
Rehmeier responded to Bloody Disgusting at the time stating: “I think ‘The Bunny Game’ is way less disturbing than ‘Pretty Woman’. Somehow it’s more socially acceptable to glamorize prostitution under the guise of a rags-to-riches fairy tale where Richard Gere falls in love with the whore by the end of the film.” He continues, “Rodleen and I didn’t make ‘The Bunny Game’ to glamorize prostitution. It is far from an erotic film. It is a modern cautionary tale grounded in reality.”
The film was eventually released in the UK and will hit the US in July from new distributor Autonomy, who will make the film their first release. Per Screen Daily, “Derek Curl, David Gregory and Lewis Tice’s new distributor aims to release “uncompromising cinema on a worldwide scale” and will handle four films this year, starting with Adam Rehmeier’s torture porn. “‘The Bunny Game’ is the last word on the torture-porn sub-genre,” Autonomy president Curl said. “I was shocked by its audacity and the raw honesty that it depicted, making me question our collective enjoyment of extreme violence in cinema. At Autonomy Pictures we are not afraid to release such a film, which will undoubtedly inspire heated reaction, because it will allow audiences to make up their own minds.”
Bunny Games follows a female prostitute (Rodleen Getsic) who hitches a lift with a truck driver. The truck driver (Jeff Renfro) kidnaps the woman, restrains and forcibly strips her, and proceeds to physically and sexually abuse and humiliate her.
Julian Richards negotiated the deal on behalf of the filmmakers, ““It’s great to see the launch of the new genre label Autonomy Pictures. And I think that the acquisition of Adam Rehmeier’s uber-controversial The Bunny Game is a bold statement of intent.”
Movies
R-Rated ‘The X-Files: I Want to Believe’ Director’s Cut Gets New Title and Streaming Premiere Date
After a slight delay, Disney has finally announced a new streaming date for the R-Rated director’s cut of The X-Files: I Want to Believe. According to Gizmodo, it’ll also come with a new title.
The X-Files: I Want to Believe Vrach Frankenshteyn begins streaming on Hulu on August 14.
The new cut was first teased in an interview with director Chris Carter on the Fail Better With David Duchovny podcast from last year, where he teased a much scarier movie he intended.
“Now I have a chance to go back and make the scary movie that I always intended to make,” Carter explained last year. “It’s not just doing a Director’s Cut to do a Director’s Cut. It’s really kind of bringing to life something that for me was on the page and never got to the screen.“
The director’s cut of the film was initially set to arrive on Disney+ in June, but quietly disappeared from the schedule without a word. Polygon reported the delay was “due to some last-minute adjustments being made to the film.”
The release’s new “Vrach Frankenshteyn” title certainly suggests those adjustments have been made, likely referring to a Frankensteining of bonus footage.
In the film, Mulder (David Duchovny) and Scully (Gillian Anderson) have been out of the FBI for several years, with Mulder living in isolation and Scully having become a doctor at a Catholic hospital, where she has formed a bond with a critically ill child patient.
When an FBI agent is mysteriously kidnapped, and a former Catholic priest who has been convicted of pedophilia claims to be experiencing psychic visions of the endangered agent, Scully is asked to bring Mulder back to the bureau to consult on the case because of his work with psychics.
The brand new R-rated cut will “faithfully restore the filmmaker’s original vision.”
Look for it on Hulu next month.