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[Slamdance ’12] Review: ‘Comforting Skin’ A Boring Melodrama

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In Derek Franson’s indie Comforting Skin, a lonely young woman’s desperate need for emotional and sexual companionship draws her into a surreal and ultimately destructive relationship with a shifting and whispering tattoo she has willed to life on her skin. It reminded me of the classic “Tales From the Crypt” episode in which a tattoo came to life. Too bad it’s nothing like it. Having world premiered at the Slamdance Film Festival in Park City, Utah, Ryan Daley writes this:

After its supremely eerie first act, ‘Comforting Skin’ disintegrates into a boring indie melodrama, complete with overwrought arguments and tedious grievances.

You’ll find the entire review by clicking the link above. John Marrone also reviewed Ghoul out of the anti-Sundance festival.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Ari Aster Producing ‘Hansel & Gretel’ Stop Motion Animated Movie

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The classic tale of Hansel & Gretel has been brought to the screen a handful of times over the years, and now an upcoming stop motion animated film has attracted some A-list talent.

Variety reports that Ari Aster (Hereditary, Midsommar) and Lars Knudsen have boarded the Hansel & Gretel movie as executive producers through their company Square Peg.

Chilean filmmakers Cristóbal León and Joaquín Cociña (The Hyperboreans) are directing. Variety notes, “The story is expected to twist the fairy tale into inimitable shapes.”

The duo co-directed the stop motion movie The Wolf House back in 2018, and they also worked in the animation department on Ari Aster’s most recent movie, Beau Is Afraid.

“It’s our very personal adaptation of the classic fairy tale, with the main difference that Hansel and Gretel are both boys in this version, at least at the beginning of the story,” Cristóbal León explained. In this telling, “the story itself gets lost,” León added.

“Cociña and León are among the true originals working in animation right now. You can trace their sensibility back to several artists of the uncanny, but there is no real analogue for the effect that their work produces in the viewer,” Aster told the website.

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