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[Sundance 2012] Fresh Imagery From ‘John Dies at the End’

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John Dies at the End

The Sundance Film Festival kicks off this week and one film I’m intensely excited for is Phantasm and Bubb Ho-Tep director Don Coscarelli’s John Dies At the End, which joins the Park City at Midnight program including V/H/S, Excision, The Pact and many more.

Bloody Disgusting has landed a trio of exclusive stills that can be enjoyed inside. Also, watch this spot for an exclusive report from our visit to the set in the coming weeks!

On the street, they call it “soy sauce.” It’s a paranormal, psychoactive drug that promises an out-of-body experience with each hit. Its users drift across time and dimensions, but some who come back are devoid of all humanity. While most of Earth’s inhabitants remain blissfully oblivious to its threat. Make no mistake, an otherworldly invasion is under way, and mankind needs to be saved. Enter John and David, a pair of college dropouts who can barely hold down jobs. How can these guys possibly be expected to rescue mankind from certain destruction?

The festival runs January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. John Dies at the End

John Dies at the End

John Dies at the End

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Exclusives

‘Baby in the Basket’ – First Look at Gothic World War II Horror Movie [Exclusive]

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In the wake of Immaculate and The First Omen, more church-based baby horror is on the way with The Baby in the Basket, and Bloody Disgusting has been provided with a sneak peek.

For starters, Strive Global Media has secured the worldwide sales rights on the gothic horror film starring Amber Doig-Thorne (Winnie-the-Pooh: Blood and Honey), Michaela Longden (How to Kill Monsters), Elle O’Hara (When Darkness Falls), Lisa Riesner (Charlie’s Angels) and Nathan Shepka (Lock & Load) alongside veteran British talent Annabelle Lanyon (Legend), Maryam d’Abo (The Living Daylights) and Paul Barber (The Full Monty).

Produced by Shepka Productions and Flickering Myth, The Baby in the Basket is set in 1942 where, as World War II rages on as the nuns of isolated Scottish monastery St. Augustine’s prepare for an incoming storm front. During the night a baby in a basket is left on the doorstep and the sisters take it in to care for it.

As the evening goes on, one nun, Sister Agnes (Doig-Thorne) soon suspects the child is the son of the Devil.

Read on for more and check out a gallery of first-look images below.

The film is directed by Nathan Shepka and Andy Crane from a script by Tom Jolliffe (Cinderella’s Revenge). Shepka and Jolliffe produce alongside Gary Collinson of Flickering Myth, with Sanatan Kadakia (Control) executive producing via Hidden Ridge Productions.

“We do not often find stylish horror films like The Baby in the Basket in the marketplace which is very flooded with repetitive horror titles. This film is really something special and stands out as a film to see. We are so pleased to be representing it.” says Miriam Elchanan, President of Sales & Acquisitions at Strive Global Media.

The Baby in the Basket has been a passion project that has been brought to the screen by a fantastic cast and crew,” states writer and producer Tom Jolliffe. “We can’t wait for the world to see the finished film and we’re delighted that Strive Global Media has secured worldwide sales rights and will be debuting the film at Cannes Film Market.”

“We are thrilled to be partnering with Miriam and the team at Strive Global Media on The Baby in the Basket and thank them for the enthusiasm they have shown towards the film,” added Gary Collinson of Flickering Myth. “It is testament to the work of our wonderful cast and crew, and we look forward to being able to share it with audiences around the world.”

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