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Pitch Black Mazes and Seafaring Scares at ‘Queen Mary’s Dark Harbor’!

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Last night Bloody Disgusting made the trek down to Long Beach to check out the re-jiggered Dark Harbor Halloween event that takes place in and around the historic (and some say haunted) Queen Mary.

Built in 1936, the ship itself made over 1,000 transatlantic voyages (impressive when compared to the Titanic’s, um… 0.5?) and is now permanently anchored in Long Beach. Most of the time it serves as a thriving hotel and restaurant destination all on its own. But every October for the past seventeen years, they’ve been building up their Halloween maze chops.

Originally titled Shipwreck, the event underwent an overhaul last year and re-emerged as Dark Harbor with more elaborate mazes and a significantly higher amount of performers than in past years.

After a few welcoming words from our gracious hosts we were taken in groups through our first two mazes of the evening and then were left to explore the rest of the park on our own. What followed was definitely a fun night, especially when you consider the price point is an unbeatable $20 (if you’re in a group, $24 if solo).

Hit the jump to follow us through the mazes.
First of all it should be noted that Dark Harbor doesn’t operate on the same budget or scale of something like Halloween Horror Nights or Knott’s Scary Farm. But what they lack in gore and production value, they make up with inventiveness and actual scares. While Horror Nights offers plenty of eye-candy (and to be fair, Dark Harbor has some fairly elaborate stuff going on as well) it kind of skimps on actual scares. Let me put it this way, Horror Nights rarely turns out the lights and Dark Harbor isn’t afraid to plunge you into literal darkness.

I appreciated this.

THE BARRICADES

The Barricades is a series of cargo containers that serve as an entrance into the park itself. This is actually cool enough to be an attraction on its own and it’s the first point at which you realize that the folks here aren’t afraid to pile on the smoke, strobes, darkness and the sound of clanging steel in an effort to disorient you.

Once out of The Barricades you spill into the fairgrounds portion of the park underneath the Hell’s Bell Tower.

From there it’s just a short jaunt to one of the parks’s two best mazes, The Cage.

THE CAGE

The Cage has been built within the confines of the same dome that once housed Howard Hughes’ Spruce Goose. It’s not short on mirrors, smoke, creatures jumping out from the dark at you and hands protruding from the walls. It’s a long-ish maze and introduces another concept I really liked about a lot of the features at Dark Harbor – the mazes aren’t afraid to allow you to get a little bit lost. Sure, there’s a flow and you’ll never be truly out of hat – but there’s just a slightly stronger sense that you could make a wrong turn here and there, as opposed to being just led through the paces. The Cage also has a few cool warped mirror effects, in fact, some people in our party became disoriented and literally started to their own reflection for a few seconds before they realized it was just themselves.

SUBMERGED

Submerged is the first of the three mazes we visited that were on the actual ship. As the title indicates, the whole think takes place in the bowels of the vessel where the air is thick with the smell of (slightly sulfery) sea-water. It’s one of the shorter mazes and, to be honest, not my favorite of the bunch. But if you have the time (ie after The Cage and Hellfire) then it’s definitely worth a look. Especially if you have an interest in the Queen Mary itself. There’s a nice look at a fog-laden art deco pool that definitely gave me a bit of a “Bioshock” vibe.

CONTAINMENT

Containment takes place in the Queen Mary’s old infirmary. It’s probably the least involving maze of the park simply because it’s environs aren’t as interesting as Submerged and its scares aren’t as palpable as The Cage or Hellfire. You might want to skip this one unless there’s a super short line or save it for last provided you make it through the other attractions.

HELLFIRE

While I think Mr. Disgusting favored The Cage our final maze of the night Hellfire was easily my favorite. It takes place in the ship’s boiler room and isn’t afraid to utterly disorientate you. It’s sort of a luxurious maze that doesn’t start out too frightening (initially I was kind of worried it would be a retread of Submerged).

I first noticed that I liked this maze more than the others when I got lost right off the bat, ensnared in some kind of mesh net I actually almost bruised my shin against a pipe a little bit getting out.

Then, due to a group of kids who were really freaking out, I got separated from Mr. And Mrs. Disgusting. I then found myself literally on my own amidst a series of corridors in the boiler room. One of them elevated and declined as I was walking on it. The lights were super low, and – for the first time in recent memory – I actually felt a bit of an adrenaline rush in one of these things. And that was before I had to walk down a seemingly endless pitch-black hallway. For the first time in my adult life I was experiencing some sustained fear that wasn’t directly related to financial or medical concerns. Success!

Unfortunately, our last scheduled maze of the evening Village Of The Damned was undergoing some technical difficulties and we were unable to get in.

Overall I can definitely recommend Queen Mary’s Dark Harbor. It’s a fun night out if you pick and choose your mazes correctly (something you might have to do depending on the size of the lines) and at $20 it’s easy to have a good time without feeling gouged the moment you walk in. If you’re feeling splurgy and want to hit all the mazes, an extra $20 buys you a front-of-line pass that ensures you’re able to hit all of the attractions in due time. The air is rich with the smell of kettle-corn and food and drinks are available from multiple vendors onsite.

The attraction runs on October 8, 9, 14, 15, 16, 20, 21, 22, 23, 27, 28, 29, 30 & 31. For more info hit them up HERE.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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