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Blu-ray Review: ‘Hatchet’ a Quality Release
Most Blu-ray released are just double-dips of the DVD releases and carry no new extra features. Anchor Bay set out to create a premium release of Adam Green’s Hatchet that BC had the pleasure of viewing early. The verdict? It’s well worth the money. Read on for the review and pick it up in stores tomorrow.
Ever since Anchor Bay started releasing Blu-rays, I have been bugging the folks I know there to put Hatchet out on the format. Not only do I just want all of my favorite movies in a high def format (I don’t “upgrade” most titles, just all-time faves), but it’s also a very dark movie, and the improved contrast/black levels that the format affords would be very beneficial to the film.
So now it’s finally here, and AB does done their usual outstanding job on the transfer. Yes, it does have the unfortunate drawback of making Victor Crowley’s makeup limitations a bit more obvious in closeups, but you can say that about pretty much any FX movie in high def. And, more importantly, the clearer image makes the practical work shine all that much more. When bad CG is transferred to high def, it looks even worse, and previously “good looking” CG will start to look fake. But here, with all of the kills being practical, you can truly appreciate the old-school approach to the jaw rippings, limb hackings, and belt-sander er, sandings.
Plus the movie is still a total delight, and I was happy for a good excuse to revisit it (especially with the sequel just around the corner). I know the humor was a problem for some folks, but it’s “my” type of humor (dry, occasionally awkward), which isn’t something I see in too many horror films period, let alone a slasher that was inspired by the very ones I grew up with and love (i.e. the early Friday the 13ths). Adam Green’s the kind of guy who genuinely enjoys the older films, not in an ironic way (just check out his Final Chapter commentary with Joe Lynch if you have any doubt), and I wish more of the folks making slashers these days had that same sort of appreciation – most of them look down at the older films.
Also, while Marybeth is the sort of Final Girl (not really spoiling anything at this point, with Hatchet 2 just around the corner), I loved having a male hero I could identify with for once. In the few Fridays that a non-Tommy Jarvis male character survived, he was always this hunky but sensitive football hero type (and even Jarvis eventually became that kind of guy – what happened to his Zaxxon and monster mask obsessions?). And then they’d have these pathetic nerd types (see: Part 3’s Shelly), or complete assholes, on the other end of the spectrum. They never just had a normal guy like Ben (i.e. me) – a lanky, average dude wearing a Newbury Comics shirt. And I’d also probably make a reference to The Thing if I ever managed to momentarily triumph over a killer, so my identifying bond with him was even stronger.
The Blu-ray carries over all of the previous (quite good) extras, including a commentary with Green and many of the stars, and a very informative making of, a look at the kills, Green’s story about how he was inspired and eventually befriended by Dee Snider (a friendship that has lasted; Snider even officiated Green’s wedding), and more. New to the disc is a recently recorded commentary with Green and Kane Hodder, who was not present on the original track. Some of the info is repeated, but it’s a great listen. Since so many commentaries (including the old one) are recorded prior to the film’s release, there’s often a lack of reflection on the finished product/public reaction, so it’s interesting to hear them discuss how the film has affected their lives (Kane, for example, gets far more “no makeup” acting roles these days, as a result of his well-received turn as Thomas Crowley in this film).
One caveat about the commentary, however – they were under the impression that the disc would be out after Hatchet 2’s theatrical release, which didn’t happen (Hatchet 2 will be in theaters – UNRATED!! – on October 1st). Thus, they do spoil some key plot points and even a major twist during this new track. So if you are spoiler-phobic, I urge you to hold off listening to this track until you have seen Hatchet 2.
But by all means you should pick up the disc, especially if you don’t own the original standard def (or have the rated version). The new commentary and transfer are definitely worth the upgrade, and the more Blus that AB sells, the more likely it is they will put more effort into releasing their other titles on the format (come on, Halloween 4! And Cold Prey!!). And if you still haven’t joined the “Hatchet Army”, now is definitely the time to do so. Having seen H2, I can assure you, this is a sequel for fans of the original, and if you haven’t seen it, some of the references and jokes will be lost on you. You don’t want to feel left out!
Movie: 9/10
AV: 8/10
Bonus features: 9/10
Overall: 9/10
Home Video
Halloween Classic ‘Lady in White’ Now Available on 4K Ultra HD from Vinegar Syndrome
Scream Factory brought Frank LaLoggia’s 1988 Halloween movie Lady in White to Blu-ray several years back, and now Vinegar Syndrome gives the film a 4K Ultra HD upgrade.
Vinegar Syndrome’s Lady in White 4K release is available now and shipping now!
Watch the trailer below and grab your copy from Vinegar Syndrome today.
This limited edition 4-disc 4K UHD/Blu-ray x 3 set comes with a spot gloss hard slipcase + slipcover combo (designed by Dylan Haley), includes a 40-page perfect bound book and is limited to 8,000 units. It is only available on their website and at select indie retailers.
The full Special Features package includes…
- 4-disc Set: 1x 4K Ultra HD (High Bitrate BD100) / 3x Region A Blu-ray
- 4K UHD presented in Dolby Vision High-Dynamic-Range
- Newly scanned & restored in 4K from its 35mm original camera negative
- Presented in three versions: 126-min Pre-Release Director’s Cut (UHD+BD), the 118-min Extended Home Video Cut (BD), and the 113-min Theatrical Cut (BD)
- New group commentary track with writer/director Frank LaLoggia, alongside actors Lukas Haas, Joelle Jacobi, and Len Cariou for the Pre-Release Director’s Cut
- New commentary track with Frank LaLoggia, moderated by Scott Neumyer for the Extended Home Video Cut
- New commentary track with authors Emma Westwood and Stephen A. Russell for the Extended Home Video Cut
- Archival commentary track with Frank LaLoggia for the Extended Home Video Cut
- “Learning How to Fly” (10 min) – an interview with actress Karen Powell
- “A Snapshot in Time” (9 min) – an interview with actress Lisa Taylor
- “Human Touches” (6 min) – an interview with actress Lucy Lee Flippin
- “Still Relevant” (16 min) – an interview with actress Rose Weaver
- “75% Listening, 25% Editing” (9 min) – an interview with editor Steve Mann
- “Welcome to Willowpoint Falls” (6 min) – a location featurette hosted by Benjamin Scrivens, founder of Fright-Rags
- “Dream Talking: Looking Back” – a visual group commentary for the Pre-Release Director’s Cut with Frank LaLoggia, and actors Lukas Haas, Joelle Jacobi, and Len Cariou (103 min)
- Deleted Scenes with introduction and optional commentary by writer/director Frank LaLoggia (36 min)
- Behind-the-scenes footage with introduction and optional commentary by writer/director Frank LaLoggia (16 min)
- Extended behind-the-scenes footage (73 min)
- Introduction from the 20th anniversary dvd release
- Promotional ‘industry sales’ trailer (7 min)
- 40-page perfect bound book with essays by film historians Molly Henery, Mark H. Harris, and Heidi Honeycutt (limited edition only)
- Multiple radio spots
- Theatrical trailer
- Multiple TV spots
- Workprint trailers (7 min)
- Still gallery
- Reversible sleeve artwork
- English SDH subtitles
1962. Nine-year-old Frankie Scarlatti enjoys a homespun childhood in a rustic Western New York town. The entire community gets into the spirit of Halloween, but then two bullies prank Frankie by locking him in his school cloakroom, leaving him trapped for the night. Alone and afraid, his slumber is interrupted when the ghost of a little girl appears, and Frankie witnesses the specter of her murder by an unseen assailant. Later, while recovering at home, the girl’s ghost appears to him again. With help from his older brother, Frankie begins investigating the circumstances of her death. He soon discovers that her murder was one of several unsolved crimes connected to a local child-killer. As the town’s bucolic veneer fades and long-buried secrets and tensions bubble to the surface, all of the clues to the mystery seem to point towards a huge mansion inhabited by a reclusive woman known as “The Lady in White.”
A nostalgia-driven ghost story wrapped within an intricate murder mystery and coming-of-age drama, writer-director-composer Frank LaLoggia’s passion project Lady in White remains one of the most beautiful and original American horror films of the 1980s. Featuring acclaimed actors Alex Rocco (The Godfather), Len Cariou (Executive Decision), and Sydney Lassick (Carrie, The Unseen), it boasts the first starring role by Lukas Haas (Mars Attacks, Inception) as well as breathtaking photography by Academy Award® winner Russell Carpenter (True Lies, The Lawnmower Man). Vinegar Syndrome is honored to bring this genre masterpiece to 4K UHD, newly restored from its original 35mm camera negative and presented in three versions: its pre-release director’s cut, its extended home-video version, and its original theatrical version, along with an abundance of both new and archival extras.
Paul Lê wrote here on Bloody Disgusting back in 2023, “Over the years, fans have described this film as gateway horror, but they liken it more to The Watcher in the Woods than, say, Hocus Pocus or Casper. There are chilling moments that warrant its PG-13 rating.”



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