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BD Review: Another Mixed Look At ‘Piranha 3-D’

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After a few months’ delay and a series of brief teases (including an epic 9 minute highlight reel at Comic Con), Alex Aja’s Piranha 3D is finally here. Does it live up to the wait? BC says “mostly”. Check out below for his thoughts! Piranha 3D is now in theaters, and if you look carefully, you can even find a (better/cheaper) 2D option in many areas.
When I interviewed Alex Aja for Piranha 3D, I asked if he purposely set out to do something fun for a change, as his other films were entirely humor/levity free. But he was quick to correct me, saying that the film was fun but still very intense and scary, like his others. Well either he was trying to make sure his core fans still turned out to see the film, or he’s just daft – this is one of the least “scary” or “intense” horror films I’ve ever seen. The killer fish action is pure, crowd-pleasing, stand-up-and-cheer fun and nothing else; episodes of CSI carry more tension.

I’m not sure if a scary approach would have worked anyway, though. Even the piranha’s design is pretty goofy, like something Sam Raimi might toss at Bruce Campbell in an Evil Dead lake scene. So I’m not sure if I could ever be truly scared or even concerned for a character being menaced by them, even if the movie might as well have listed its cast in order of their deaths, since every single character that you think will die dies, and every single character that you think will live lives. The only wild card is Kelly Brook, who plays one of Jerry O’Connell’s “stars” (he plays a Joe Francis type), but doesn’t seem as vapid as the other girl, and she’s nice to the main kid’s little sister. Also she’s quite possibly one of the hottest women on the planet, so you can see them wanting to keep her around for a possible sequel. On the other hand, she gets naked (in the film’s most unique, out-there scene) and the main kid has another love interest, so she’s got the deck stacked against her. Everyone else, however – you’ll know whether or not they survive from the second they’re introduced.

Speaking of surviving, the KNB work here is terrific. The attacks/kills might be largely silly fun, but it IS kind of dark to see all these poor bastards pulled out of the water missing limbs and giant patches of skin on their torsos. Greg Nicotero even has a cameo carrying one unfortunate sod who won’t be walking around anytime soon. As with the original, there’s no clear indication whether many of the victims are dead or injured, we just see people being pulled out. For the most part, only named characters (i.e. people you recognize) get definitive death scenes. Well, most of them do – one major character played by a familiar face simply disappears from the boat at one point, and we see their skeleton later on. The movie is only 82 minutes with (lengthy) end credits, so why they cut this death is beyond me – you can’t blame it on time constraints.

Then again, maybe these scenes just couldn’t be retrofitted for 3D for whatever reason. Because, despite what some misinformed people will tell you, this is NOT a true 3D film. It was shot with the same traditional cameras everyone uses, and the 3D effect was added later. This is similar to the approach taken with Clash of the Titans and The Last Airbender, with the only difference being that 3D was planned all along, so it’s less headache and nausea inducing than the 3D versions of those films. But just as you cannot squeeze blood from a stone, you CAN NOT turn a 2D image into a proper 3D one, regardless of how much you “planned” for it. The visual information simply isn’t there.

However, no amount of bad 3D could keep me from laughing and cheering every few seconds as a swarm of piranha wreak havoc on a bunch of drunken douchebags (way more awesome than families trying to enjoy a shitty water park, as in the original). As I said, the anonymous characters don’t really get death scenes too much; it’s more about the general mayhem. In fact, most of the money shot kills aren’t even directly caused by fish – out of control boats seem to kill more people than the damn piranhas. But it doesn’t matter – the blood (and boobs) fly left and right for what seems like ten straight minutes, and it is all glorious. It’s actually a bit of a downer when they return to the other folks, who are on a sinking boat in another area of the lake.

Speaking of which, while the actual story is completely different (it’s the correct approach to a remake – same story, different execution), the beats are very similar. It opens with a Jaws reference, introduces our characters as the fish get loose and cause a few isolated deaths, and then all hell breaks loose around the 50 minute mark or so. And again, our male/female hero team goes from one attack to another. However, in Joe Dante’s original, they dealt with the smaller problem (the kids at the camp) and then went on to the main event (the water park). Here they go the other way – they go from this amazing, carnage heavy frenzy to this rather tame capsizing boat sequence, where there are only a few characters (most of them the aforementioned safe folks) and about as many fish.

But you gotta love the ensemble cast here. Elisabeth Shue gets top billing, but doesn’t really get more screen time than Adam Scott (who steals the movie, easily), O’Connell, or McQueen. I would have liked a bit more with Christopher Lloyd or Ving Rhames, and Richard Dreyfuss’ part is so small they might as well haven’t even mentioned it beforehand, but seeing all of these folks in one movie is an achievement in itself. And they each get some great moments – Scott, usually known for his comedic stuff, actually proves to be an able action hero. Ving of course gets to be the big badass with a boat motor, and Eli Roth makes the most of his cameo as the wet t-shirt contest judge (and suffers a fate that should please both his fans and his critics).

Ultimately, the movie delivers exactly what you want (boobs, blood) and not much else. It’s nice to see Aja broadening his horizons a bit, but they might as well have just hired some TV director to do this, because Aja’s presence elevates expectations, and it’s pretty obvious no one besides KNB was interested in going the extra mile (unless you count the 3D converter people – I don’t blame them for the glitches – it’s just something that cannot be done in any completely satisfactory way). That’s not necessarily a bad thing, but the talent involved could have delivered those cheap thrills AND some scares/surprises on top of it. It’s the best film to bear the Piranha name since Dante’s, but this could have easily been a remake that tops its original, instead of one that merely lives up to it.

Score 3/5 Skulls

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Head over to Horror Movie A Day for BC’s longer review of the film!

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New ‘Sleepy Hollow’ Movie in the Works from Director Lindsey Anderson Beer

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Sleepy Hollow movie

Paramount is heading to Sleepy Hollow with a brand new feature film take on the classic Headless Horseman tale, with Lindsey Anderson Beer (Pet Sematary: Bloodlines) announced to direct the movie back in 2022. But is that project still happening, now two years later?

The Hollywood Reporter lets us know this afternoon that Paramount Pictures has renewed its first-look deal with Lindsey Anderson Beer, and one of the projects on the upcoming slate is the aforementioned Sleepy Hollow movie that was originally announced two years ago.

THR details, “Additional projects on the development slate include… Sleepy Hollow with Anderson Beer attached to write, direct, and produce alongside Todd Garner of Broken Road.”

You can learn more about the slate over on The Hollywood Reporter. It also includes a supernatural thriller titled Here Comes the Dark from the writers of Don’t Worry Darling.

The origin of all things Sleepy Hollow is of course Washington Irving’s story “The Legend of Sleepy Hollow,” which was first published in 1819. Tim Burton adapted the tale for the big screen in 1999, that film starring Johnny Depp as main character Ichabod Crane.

More recently, the FOX series “Sleepy Hollow” was also based on Washington Irving’s tale of Crane and the Headless Horseman. The series lasted four seasons, cancelled in 2017.

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