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Trapped in a Laundry Room with a Serial Killer

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Barcelona’s Roxbury Pics, Colombia’s Dynamo Capital and Antena 3 Films will produce Callejon (Blind Alley), the feature film debut of Spanish screenwriter Antonio Trashorras. Spain-based Cuban actress Ana de Armas (The Boarding School, Sex, Party and Lies) will take the lead role, playing a young woman, Rosa, who — trapped in a laundry during a long and hellish night — attempts to escape from a serial murderer. Trashorras co-wrote the script of Guillermo del Toro’s chiller The Devil’s Backbone. He recently penned the Roxbury-produced Agnosia, Eugenio Mira’s period psychological thriller, which Filmax Intl. has sold worldwide save for the U.S., Japan and Brazil. Spanish-language Callejon, which rolls early 2011 in Spain and at Colombian studios, is “an action thriller that finishes up as a horror film, a lowish-budget film with a twist,” Faura told Variety. The project is in the vein of Gallic horror standouts High Tension or Them.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Strangers: Chapter 1’ Just Had the Highest Domestic Horror Opening of the Year

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The bar wasn’t very high to clear, but Lionsgate’s The Strangers: Chapter 1 did manage to break a box office record here in 2024, achieving the highest opening weekend at the domestic box office out of any horror movie released this year… so far. This despite largely negative reviews, once again proving that the horror genre is as review-proof as it comes.

The Strangers: Chapter 1 debuted with $11.83M at the domestic box office in 2,856 locations, just barely topping Blumhouse’s Night Swim to rip the crown off the top of its head.

Here’s the full lineup of domestic opening weekends for horror this year…

  • The Strangers: Chapter 1 – $11.8 million
  • Night Swim – $11.7 million
  • Abigail – $10.2 million
  • Imaginary – $9.9 million
  • The First Omen – $8.3 million
  • Tarot – $6.5 million
  • Immaculate – $5.3 million
  • Lisa Frankenstein – $3.6 million

For further context and comparison, 2018’s The Strangers: Prey at Night opened to $10.4 million before making $31 million worldwide, a number Chapter 1 may eventually reach.

The good news for Lionsgate is that the production budget for The Strangers: Chapter 1 was a reported $8.5 million, so there’s a good chance this one will soon be profitable. But is it enough to justify theatrical releases for both Chapter 2 and Chapter 3, which will continue Chapter 1‘s storyline and have already been filmed? Or will Lionsgate pivot to a streaming release?

These are the questions we can’t help but ponder today. Stay tuned for more.

Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.

Here’s the full official synopsis: “After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive.”

Renny Harlin directed The Strangers: Chapter 1.

The Strangers Chapter 1 review

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