Quantcast
Connect with us

Movies

Abby and Owen Meet in Second ‘Let Me In’ Pic

Published

on

Inside you’ll find your first look at Kodi Smit-McPhee as Owen as he talks to vampire Abby (Chloe Moretz) in Overture and Hammer Films’ Let Me In, which arrives in theaters October 1. Based on the bestselling Swedish novel, “Lat den Ratte Komma In” (“Let the Right One In”), by Swedish author John Ajvide Lindqvist, Let Me In follows an alienated 12-year-old boy who befriends a mysterious young newcomer in his small New Mexico town, and discovers an unconventional path to adulthood. Directed by filmmaker Matt Reeves (Cloverfield), take a peak at the first image of Chloe Moretz as Abby here.
We tried to create the approaching, foreboding dread of movies like ‘The Shining,’ where you feel like something wicked is unraveling and it’s not going to end well,” Reeves tells the LA Times. “That’s what I responded to about the original, the juxtaposition of those tones, this very disturbing story but at the center of it there are these very tender emotions. That’s a very unusual mix, and that’s what drew me in and dug into me.

Let Me In

Books

Netflix Reteams with ‘Emilia Perez’ Director on ‘La Nuit ravagée’ Horror Adaptation

Published

on

La Nuit ravagée

Netflix is reuniting with Emilia Perez director Jacques Audiard on an adaptation of French horror novel La Nuit ravagée, Variety reports today.

The project is described as an elevated horror film based on the critically acclaimed horror novel by Jean-Baptiste Del Amo.

It’s set inSaint-Auch, a fictional suburb on the outskirts of Toulouse in Southern France, in the early 1990s. It follows a group of teenagers drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires, and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.

The French-language Netflix original marks Audiard’s first foray into horror.

The divisive Emilia Perez, Audiard’s Spanish-language musical crime drama, amassed 13 nominations at the 97th Academy Awards but also met with controversy when offensive tweets by star Karla Sofía Gascón during the film’s award campaign.

Del Amo’s source novel was published last year and has been described as an homage to ’80s and ’90s horror in the vein of Stephen King, though its social realism is what lends itself to the elevated horror concept and Audiard’s attachment to the project. 

Stay tuned for more as it arrives.

Continue Reading