Movies
‘The Mummy’ Revived Over at Dimension as Low Budget Fare
While capturing what Paranormal Activity had is like winning the lottery, the lesson it should be delivering is that a studio can make a good movie for a modest budget. Sh*t, with the announcement of J.J. Abrams’ Super 8 this morning, it had me thinking back to the success of Cloverfield, and then shaking my head in dismay. Not a single studio learned a thing from Abrams. It took a $15k indie film to knock some sense into these fools. Anyways, Dimension Films, a studio not known for being smart or frugal, must have received a lobotomy as they’re putting a low budget spin on the resurrection of The Mummy! Read on for the skinny.
From the LA Times:
“Dimension Films, the genre label run by Bob Weinstein, is making a deal to develop The Mummy Archives, described as a more artful and modestly budgeted version of “The Mummy,” the insanely lucrative Brendan Fraser franchise.
The film will focus on several young people who are haunted by a mummy curse, with the action playing out very much in the unseen realm, as both the audience and the characters frequently experience the effects of the curse without seeing it explicitly.
The project comes with some appealing names: Gonzalo Lopez-Gallego, a young Spanish genre director who attracted quite a bit of heat a couple years back for his Spanish-language thriller “The King of the Hill” (“El Rey de la Montana,” which the Weinstein Co. released in the U.S.), is in final negotiations to write the screenplay and direct the film. Douglas Wick, the veteran producer behind mega-hits such as “Gladiator,” generated the idea and is in final negotiations to produce the film through his Red Wagon Entertainment banner.
In its 11 years of existence, Universal’s “Mummy” franchise has generated more than $1.2 billion in global box office across three films. But those movies are CG-dependent and pricey to make, and in the wake of “Paranormal Activity,” studios are looking for the big breakout that doesn’t cost big money (including companies like Dimension that have always been budget-conscious). The budget for “Mummy Archives” is expected to be in the $5-million range, a number that allows for some lean and mean storytelling but isn’t high enough to spook anyone.“
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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