Exclusives
New Details on ‘The Thing’ Remake, Sequel, Prequel…Whatever the Hell it is?
Director Matthijs Van Heijningen is gearing up for a March shoot of Strike Entertainment and Universal Pictures’ The Thing in Toronto, Canada, and Bloody Disgusting has got a small new piece of information for ya. Apparently, the studio is using Eric Heisserer’s (A Nightmare on Elm Street) version of the screenplay that begins when an alien spaceship is discovered far beneath the ice near a remote Antarctica outpost. We’re told that a group of scientists decide to thaw out a creature from inside that kicks off the mayhem at the camp. It is said to be a prequel, check out our exclusive interview with Heisserer for more info. John Carpenter’s 1982 film of the same name was a remake of the 1951 The Thing from Another World.
Breakdown from Spoilers TV:
[KATE LLOYD] In her late 20s to early 30s, pretty, bright-eyed, intelligent, she’s a graduate of Columbia and a Ph.D. candidate in paleontology (the study of prehistoric life). On the recommendation of her friend Adam Goodman, Kate is tapped for a once-in-a-lifetime opportunity by Dr. Sander Halvorson to join his research team in Antarctica, where an extraordinary discovery has been made. Upon arrival, Kate soon finds herself at odds with Halvorson about how best to proceed with the discovery — an alien spaceship with a mysterious and sinister frozen THING found nearby — specifically whether to transfer the specimen undisturbed to a more appropriate facility for analysis, or, per Halvorson’s wishes, to drill into the specimen’s ice encasement for a definitive tissue sample. Kate’s misgivings about her involvement grow when Halvorson ignores her advice and collects his tissue sample — a critical error in judgment that ultimately frees the trapped organism and triggers a series of horrific incidents and attacks. Furthering her sense of isolation, most of the scientists at the site speak Norwegian, a language she doesn’t understand. Kate looks to her friend, Adam, for help stopping Sander’s obsession from getting them all killed, but eventually must take matters of life and death into her own hands. In the end, her only hope of survival is to join forces with Sam Carter, the chopper pilot who flew her team to the remote Norwegian base…LEAD (2)
[DR. SANDER HALVORSON] In his late 30s to early 50s, austere, scholarly and imperious, he’s a microbiologist from NYU who leads a science research team to Antarctica to help his old friend Edvard interpret and analyze an extraordinary discovery made beneath the ice. Sander, a brilliant scientist and a master of self-promotion, knows that his involvement in such an historic discovery will bring him fame and fortune. Blinded by ambition, he refuses to abandon the “project” even as the bodies pile up around him. He is annoyed when Kate, whom he considers more of an apprentice than an equal, disagrees with him and openly questions his decisions in front of the others…LEAD. Actor must be able to speak some Norwegian. (2) [SAM CARTER] In his early 30s, rugged, handsome, blue-collar, he’s a helicopter pilot with a private charter service that transports personnel and supplies from McMurdo Station to remote research sites across Antarctica. Carter is a mercenary. He flies when he wants, where he wants, and he flies for one reason: money. But his resourcefulness, experience and get-it-done mentality make him indispensable. Arriving at Thule Station, he is the first to suspect something strange and dangerous is going on. Trapped there by faulty equipment, he becomes an unlikely ally of Kate’s — he reminds her (in temperament) of her father, now deceased, also a pilot. He and his co-pilot Jameson are nearly killed in a helicopter crash as they attempt to leave under less than ideal conditions. Carter must ultimately join forces with Kate to stop the THING’s rampage…LEAD (3) [EDVARD WOLNER] In his mid 40s, gentle, erudite, loyal to a fault, this Norwegian geoscientist and his crew discovered an alien spaceship and a mysterious frozen THING buried in a deep crevasse in Antarctica. Edvard requested the assistance of his colleague Dr. Sander Halvorson and he’s pleased to see his old friend arrive at the site. Both men have stars in their eyes, knowing that their combined findings will bring them fame in the scientific community, but after Edvard loses two of his men to the terrifying THING, he’s ready to call it quits rather than risk more lives.sptv050769..SUPPORTING. Actor must speak Norwegian. (16) [ADAM GOODMAN] In his early 30s, clever, brash, unapologetically ambitious, Adam comes to Antarctica as Halvorson’s research assistant. A friend of Kate’s since they were undergrads at Columbia, it is Adam who recommended her to Dr. Halvorson. Though his respect for Kate is genuine, ultimately, he is a likeable opportunist who believes his professional association with the esteemed Dr. Halvorson will advance his career. The trip to Antarctica appears, at first, to prove this theory correct. Unlike Kate, an idealist who makes decisions based on intuition and conscience, Adam is more of a pragmatist and a capitalist — in scientist’s clothing. As the circumstances turn more and more dire, Adam is forced to choose between ambition (Halvorson) or friendship (Kate). His survival hangs in the balance…SUPPORTING (2) [DEREK JAMESON] In his early 30s, African American, well-built, he is Carter’s friend and co-pilot. This is Jameson’s last season in Antarctica. He’s moving to Florida and starting a jetboat business with his brother, a former big league prospect. The trip to Thule Station is just another flight for him, another day in the countdown before he leaves the South Pole. Trapped at the site with Carter when the helicopter malfunctions, Jameson eventually falls prey to the THING…SUPPORTING (3) [JONAS] This Norwegian man in his early 40s, who speaks with a thick accent is part of Edvard’s crew. He’s the team documentarian who takes flash photographs of the alien spaceship and plays poker with Colin to blow off steam. When the Thing begins wreaking havoc, Jonas decides to get the hell out of there, but the rest of the group stymies that plan…SUPPORTING (18) Submit Scandinavian actors only. [JULIETTE] In her early 30s, French, fluent in Norwegian, she was educated at the Oslo Geosciences Academy, and is one of the geologists who discovered the alien site in Antarctica. Sensing Kate’s frustration with the language barrier, Juliette befriends her, providing helpful translations and a kind smile among strangers. As the story escalates toward crisis, Juliette convinces Kate that her colleague Lars has succumbed to the THING — as a trick to conceal her own identity as the alien shape-shifter…SUPPORTING (17) [COLIN] Around 40 years old, quirky and a bit cynical, he sews some seeds of doubt and suspicion among his new colleagues, Kate and Adam, and he plays poker with Jonas to blow off steam. Colin would rather commit suicide than be consumed by the THING…SUPPORTING (27) Submit British, East Indian, Spanish, Asian, etc, scientist types”
Exclusives
New Documentaries Explore the Cult Legacies of ‘The Keep’ and ‘Wolfen’; Watch the Trailers Now [Exclusive]
Undersung werewolf gem Wolfen and Michael Mann’s The Keep get the spotlight in a pair of feature documentaries acquired by Antenna Releasing.
A World War II Fairy Tale, which covers the infamous production of and reception to The Keep, will receive a limited theatrical release in October, followed by a TVOD release on Apple/Amazon. The Keep will also screen as a double feature for some showings.
For Uncovering Wolfen, Antenna eyes a limited theatrical release for 2027. Both films are currently available for booking via Antenna prior to their theatrical and digital releases.
Both documentaries are directed by Stewart Buck, who co-helms with Stéphane Piter on A World War II Fairy Tale.
“We at Antenna are obsessed with film history,” said Chief Acquisitions Officer Billy Ray Brewton. “Stewart has done such a remarkable job of really diving into the deepest recesses of how these films were made and, in doing so, has created the definitive histories of both projects.”
“We’re delighted to be partnering with Antenna Releasing!” said director Buck. “It’s refreshing to see a filmmaker-friendly approach to distribution with people who know what it’s like to be in the trenches with independent projects that struggle to find a home in the crowded marketplace.”
Check out our exclusive trailer and poster reveal of both documentaries below.
Released in 1983, Michael Mann’s The Keep was a notorious box office bomb, critically lambasted and all but forgotten for years, save for the fascination with Tangerine Dream’s iconic score. In recent years, the film has enjoyed a bit of a resurgence and is widely considered a cult classic, though director Michael Mann and many cast members refuse to acknowledge it.
Wolfen, on the other hand, was critical success but was overshadowed heavily by its flashier 1981 siblings An American Werewolf in London and The Howling. It’s also a trailblazer for socio-political horror, and the doc will explore that via the craftspeople who made it.
Look for them both in theaters soon. Stay tuned for more as it arrives.
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