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White Ghost, Black Ghost in ‘Ju-On’ Sequels

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Kadokawa Pictures revealed to Bloody Disgusting that their latest Ju-On sequels have new American titles (it makes it so much easier, don’t it?). Mari Asato’s Ju-On: Kuroi Shoujo has been retitled to Ju-On: Black Ghost, while Ryuta Miyake’s Ju-On: Shiroi Roujo has been retitled to Ju-On: White Ghost. Beyond the break you’ll find Japanese posters for both, along with synopses and trailers.
JU-ON: WHITE GHOST—- In a certain house, a son who failed the bar examination kills five members of his family one by one. He then dies by hanging himself. At the moment of his death, he made a cassette tape recording in which he can be heard saying “I’ll go. I’ll go soon…” On the same tape can be heard the eerie sound of a young girl’s voice. The entire family is slaughtered. A former friend, Mirai, is murdered, her throat slit… In the midst of her despair, a young girl, Akane (Akina Minami), sees…

JU-ON: BLACK GHOST—– Nurse Yuko (Ai Kago) is left in charge of a young girl named Fukie, and begins to experience strange things. Medical examination reveals that there is a `cyst’ in Fukie’s body. The hatred of the unborn one is feeding off of the young girl, and curses the people around her. This is the grudge of someone that could not be born… Filled with an unimaginable `hatred’, people are killed one after the other with a curse.

Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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