Movies
She’s Allliivvee! ‘Bride of Frankenstein’ Resurrected
Taking no time in upping the ante, back in 1935 Universal Pictures brought to the world The Bride of Frankenstein, a sequel to the 1931 classic monster movie that follows a chastened Henry Frankenstein who abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr Pretorius, into constructing a mate for him. The Bride rejects the Monster however, resulting in her death, that of Pretorius, and apparently the Monster’s own death, when he destroys Henry’s laboratory. While Universal Pictures is prepping the release of their Wolfman remake and still developing a new Creature from the Black Lagoon, the studio is still keen on bringing this luscious bride back to the big screen (and in color!). Read on for the skinny.
From THR’s Risky Biz Blog:
“Universal and Imagine are breathing new life into “Bride of Frankenstein.”
The companies are in talks with Neil Burger to write and direct their long-stirring remake of the 1935 monster movie. Burger, who would pen the script with writing partner Dirk Wittenborn, most prominently wrote and helmed “The Illusionist,” the Edward Norton magician mystery that earned nearly $40 million for Yari Film Group in 2006.
James Whale’s “Bride of Frankenstein,” which starred Boris Karloff as the monster and Elsa Lanchester as the titular bride, continued the story that began with 1931’s “Frankenstein.” A monster, on the run from an angry mob, has a series of adventures, and also persuades Dr. Frankenstein to create a mate. The doctor is successful, but the bride (who is not a central character) winds up rejecting the monster at the end of the movie.
The CAA-repped Burger, who also penned and helmed Iraq-veteran pic “The Lucky Ones,” is attached to direct “Dark Fields,” a thriller about a slacker who discovers a drug that makes him sharper. That pic is also set up at Universal, but progress has been slowed since star Shia LaBeouf was forced to pull out last year with a hand injury.
“Bride” has had a series of stops and starts. About five years ago, “American Splendor” scribes Shari Springer Berman and Robert Pulcini were attached to write the screenplay for the Uni/Imagine update. Their concept was to set the picture in contemporary New York, with a young woman dying and then unnaturally brought back to life (Burger’s version is expected to differ significantly from that concept). Jacob Estes, a writer on Spider-Man spinoff “Venom,” also at one point had been attached to write a draft.
Brian Grazer and Sean Daniel will produce the pic; Karen Kehela, David Bernardi and Chris Wade will oversee for Imagine.
Universal is eager to develop reboots of its library of classic monster titles, insiders in the development community said. It is developing a new version of “Creature from the Black Lagoon,” the 1954 Jack Arnold pic about a monstrous fish that a group of travelers encounters in the Amazon, and later this year it will release the Benicio Del Toro-toplined “The Wolf Man,” an update on George Waggner’s 1941 werewolf tale.
“Frankenstein” has been remade numerous times — Mary Shelley’s book sits in the public domain — but “Bride” has had only one other go-round on the big screen: a 1985 version at Columbia starring Sting and Jennifer Beals. In 1999, Bill Condon’s “Gods and Monsters,” a biopic of Whale, showed clips from the film and re-created the bride herself.”
Before updating the video nasty Faces of Death, director Daniel Goldhaber and writer Isa Mazzei explored the dangers of online life in tech-thriller Cam, their feature debut that was acquired by Netflix in 2018 after making waves on the festival circuit.
At the end of last year, the Netflix exclusive quietly departed from the streaming platform, left without another streaming home.
It’s not an isolated story; Mike Flanagan’s Hush also left streaming entirely for a period until it was finally picked up on both physical media and other streaming services.
While the tech-thriller currently isn’t available to watch on Netflix, Tubi, Hulu, or any other platforms, that’s not a problem for Cam thanks to a very cool move by Goldhaber: the director has made his breakout film accessible to watch online for free via his website.
As his site notes: “CAM is unfortunately not currently available to view on any platforms, so you can watch it here if you like :).“
No subscriptions or fees necessary, just hit play.
Cam follows Alice (Madeline Brewer), who works as an online cam girl obsessed with her ranking on the cam site. The higher her ranking goes, the more it draws unwanted attention, and Alice soon finds herself replaced on her own show with a doppelganger.
Written by Mazzei, a former camgirl, it uses the horror thriller premise to examine the life of a sex worker; Alice’s career ambition is directly at odds with the shame it brings to her family, and how she tries to spare them from it by keeping them in the dark. It only compounds her danger when the doppelganger enters the equation in Goldhaber’s engaging thriller.
For a deep dive into the treacherous world of Cam, listen to Horror Queers’ episode on it now.
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