Movies
Russell Mulcahy Becomes Shark ‘Bait’
Russell Mulcahy is a busy chap, but has yet to really make an impact here on us horror fans. After delivering us the stunning, beautiful and badass Razorback from Australia, he has gone on to direct the disappointing Resident Evil: Extinction. Now the director is heading back to the indie route as he’s not only working on his spin of Grimm (more details), but is also now developing a 3-D flick by the name of Bait. Read on for the skinny.
The boys over at Twitch has the skinny on Bait:
“In a sleepy coastal resort community, shoppers at an underground supermarket find themselves terrorized by a crazed bandit when the unimaginable occurs… A monstrous freak tsunami swallows the town. Now trapped inside a flooded supermarket with an armed maniac and rushing water threatening to entomb them all in a watery grave, the imprisoned band of survivors discover they’re not alone. The tsunami has brought some unwanted visitors from the depths. As the waters rise they must overcome not only the threat of drowning, but another threat, just as deadly and far more bloodthirsty… Packs of hungry tiger sharks.”
This sitting duck thriller sounds very similar to a few other projects floating around from Chris Kentis’ (Open Water) second deep-sea pic based on a true story Indianapolis to Xavier Gens’ (Frontier(s)) cannibal island thriller Vanikoro. Click either title for more info.
Movies
‘Werewolf By Night 2’? Michael Giacchino Says It’s Being Talked About But “Everything Takes Forever”
It was Oscar-winning composer Michael Giacchino who sat in the director’s chair for Marvel’s Disney+ Halloween special Werewolf by Night back in 2022, which was released in both throwback black & white as well as full color. But are we ever getting a sequel?
Giacchino tells Screen Rant in a new chat this week that he remains hopeful.
“We’re talking about it,” Giacchino explains. “Everything takes forever to do. There’s a lot of planning that has to happen. Everything has to fit in a particular place at a particular time.”
He adds, “So, nothing moves as fast as we’d like it to. But I hope one day that you will be sitting there watching another Werewolf by Night. That’s my hope.”
Inspired by horror films of the ’30s and ’40s, Marvel Studios’ Werewolf by Night takes place on a dark and somber night as a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader.
In a strange memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Meagan Navarro wrote in her review for BD, “The MCU kicked the horror into overdrive with Werewolf by Night. The nearly hour-long feature presents as a classic horror movie, dropping viewers into the middle of a secret world of monster hunters. Film composer Michael Giacchino directs the special, penned by Heather Quinn and Peter Cameron. Giacchino focuses on evoking the classic horror vibe to assist in the initial worldbuilding. The events play out in monochrome, save for the vibrant red glow of the Bloodstone. Cigarette burns and film grain get added for that retro look. The rules of the hunt get relayed to the cutthroat candidates by way of reanimated dead, albeit in a much campier and family-friendly way via animatronics.”
“Aside from the aesthetics, Werewolf leans heavily into the mysterious,” Meagan continued. “The black and white cinematography more than sets the retro vibe; it allows the feature to remain accessible to a wider audience even as it lets its monsters and monster hunters spill plenty of blood. Toss in a Jack Pierce-inspired beast with practical application, and you’ve got a modern superhero story with a classic Universal Monsters makeover.”