Movies
Music: A Little Taste of Manson’s Latest This Friday!
Marilyn Manson’s anticipated reunion with longtime friend and foil Twiggy Ramirez inches closer with the release of “We’re From America,” the first listen from the forthcoming The High End of Low. Available as a free download March 27th, exclusively on MarilynManson.com, the song will be available as a digital single on April 7th and will preview Manson’s forthcoming seventh studio album landing May 26th.
The album’s official first single “Arma… geddon” will arrive at radio April 13th. Manson’s new lineup including Ramirez (for the first time in close to a decade), plus keyboardist Chris Vrenna, and dummer Ginger Fish, will close the main stage at the Rockstar Energy Drink Mayhem Festival, this July through August. Manson will also kick off his world tour with a headline festival run this June in Europe
Produced by Manson, Vrenna, and Twiggy, The High End of Low was recorded in his Hollywood Hills studio and also features the track, “I Want to Kill You Like They Do In The Movies.” Manson says of the new album, “I think my life definitely ended and began. The record sounds very final, but it’s almost optimistic – though that feels like a strange word to use. It’s a phoenix from the fire and a redemption resurrection.”
Since emerging from South Florida.. in the early 1990s, Marilyn Manson has continued to upend the mainstream with each new release. The tumultuous relationship Manson has cultivated with the public worldwide has resulted in multi-million records sales, sold-out tours, protests, legal battles, hate, adoration, award-winning distilled spirits (Mansinthe) and most importantly, a long list of some of the most enduring and genre-defying music in the rock era (“Lunchbox,” “Sweet Dreams,” “The Beautiful People,” “Tourniquet,” “The Dope Show,” “This Is The New Shit,” “Mobscene,” “Heart-Shaped Glasses,”etc.)
The first one’s always free. Beginning with a small, slow dose on March 27th with “We Are From America,” the new era of Marilyn Manson and The High End of Low begins now.
Movies
‘Werewolf By Night 2’? Michael Giacchino Says It’s Being Talked About But “Everything Takes Forever”
It was Oscar-winning composer Michael Giacchino who sat in the director’s chair for Marvel’s Disney+ Halloween special Werewolf by Night back in 2022, which was released in both throwback black & white as well as full color. But are we ever getting a sequel?
Giacchino tells Screen Rant in a new chat this week that he remains hopeful.
“We’re talking about it,” Giacchino explains. “Everything takes forever to do. There’s a lot of planning that has to happen. Everything has to fit in a particular place at a particular time.”
He adds, “So, nothing moves as fast as we’d like it to. But I hope one day that you will be sitting there watching another Werewolf by Night. That’s my hope.”
Inspired by horror films of the ’30s and ’40s, Marvel Studios’ Werewolf by Night takes place on a dark and somber night as a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader.
In a strange memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Meagan Navarro wrote in her review for BD, “The MCU kicked the horror into overdrive with Werewolf by Night. The nearly hour-long feature presents as a classic horror movie, dropping viewers into the middle of a secret world of monster hunters. Film composer Michael Giacchino directs the special, penned by Heather Quinn and Peter Cameron. Giacchino focuses on evoking the classic horror vibe to assist in the initial worldbuilding. The events play out in monochrome, save for the vibrant red glow of the Bloodstone. Cigarette burns and film grain get added for that retro look. The rules of the hunt get relayed to the cutthroat candidates by way of reanimated dead, albeit in a much campier and family-friendly way via animatronics.”
“Aside from the aesthetics, Werewolf leans heavily into the mysterious,” Meagan continued. “The black and white cinematography more than sets the retro vibe; it allows the feature to remain accessible to a wider audience even as it lets its monsters and monster hunters spill plenty of blood. Toss in a Jack Pierce-inspired beast with practical application, and you’ve got a modern superhero story with a classic Universal Monsters makeover.”