Exclusives
Clive Barker Updates ‘Books of Blood’ Franchise
The best thing about horror icon Clive Barker is that he talks. He loves what he does, loves what he creates and loves to see his work come to life. Whenever we get a chance to talk with him there are no limits and he’ll go into depth on pretty much everything. Beyond the break you’ll find our second part of our exclusive chat with Barker, who updates us on all of his Books of Blood properties and reveals to Bloody-Disgusting that Dread director Anthony DiBliasi could be tackling Thief of Always or Pig Blood Blues next. Read on for the skinny.
Clive Barker on BOOKS OF BLOOD Movies for DREAD, PIG BLOOD BLUES and DOWN, SATAN!
MIDNIGHT MEAT TRAIN may not have gotten the exposure Clive Barker was hoping for theatrically, but he isn’t letting that slow down the packed production slate at Seraphim Films one bit. Using the same low budget model as the well-received MEAT TRAIN, Barker and co. have film adaptations in the works for numerous BOOKS OF BLOOD, including DOWN, SATAN!, PIG BLOOD BLUES and DREAD, starring TWILIGHT’s Jackson Rathbone, which recently wrapped and will likely hit screens later in 2009.
During this second part of Bloody-Disgusting’s exclusive interview with Clive Barker, we got some updates on the next BOOKS OF BLOOD adaptations from Seraphim. We’ll start off with DREAD, which Barker tells us is in the final stages of editing. “I’ll see something close to a final cut very soon,” Barker tells Bloody-Disgusting. “This started as a spec script by Anthony DiBlasi who came in as an intern to Seraphim six years ago. We try our best to advance people to where they want to go and Anthony is, to me, the definitive success story. Here’s a guy who, six years on from joining the company, has written and directed his first movie. And he’s done a fucking brilliant job.”
“[DREAD] is about experimenting on other people by using their phobias and fears and seeing at what point they become mad,” says Barker. “It’s our dread of madness, our dread of enclosed spaces. It’s one of the few stories I ever wrote which has no supernatural content, but it is vicious.”
Vegans and health nuts may want to stay clear of DREAD, warns Barker: “A vegetarian girl is locked up in a room and the only thing she has to eat is a piece of mutton. There’s a piece of mutton in the middle of the floor, water and that’s it. She has the choice – she eats the mutton and lives or she doesn’t. Each day that time passes, the mutton gets [more and more] rotten and the flies get in there and it becomes a more difficult choice.”
Barker says he is quite pleased with DiBlasi’s translation of the material, particularly for his first project as both writer and director. “DiBlasi has done a superb job of mounting the tension into an eruption of incredible violence,” Barker tells BD.
News broke over the summer that IGN.com DVD editor Chris Monfette was adapting Barker’s DOWN, SATAN! for an eventual feature. The project is still in the early stages, but Barker says he is quite pleased with Monfette’s work thus far. “He found a place in my head and heart instantly because he’s so open and talented,” says Barker. “I find him an amazing presence to be in the room with.”
Barker tells us he is superstitious about saying too much about the project until it is further along. “I always feel like if you talk too much about things, they don’t happen. The reason I don’t want to say too much is that the [original] story is five pages long. What Chris has done is mostly Chris. All I can tell you is that the things he has created are superb. When you see it, you go, `Oh yes, of course.’ It’s organic, it grows naturally out of what’s on the page, but it’s brilliant.”
After DREAD, the next Barker work to go before the lens will either be PIG BLOOD BLUES or THE THIEF OF ALWAYS, with DREAD’s DiBlasi as a possible choice for both projects.
“We’ve got a couple of options,” says Barker. “PIG BLOOD BLUES is one of them. That’s another script from from Mr. DiBlasi. If I had my choice, since Anthony has done such a superb job with DREAD, it’s a natural thing to want him to do PIG BLOOD BLUES. We also have THIEF OF ALWAYS, which is a completely different project with a different feeling. I know Anthony has been very interested in the possibility of directing that. So there are a couple of possibilities.”
We’ll have more from Bloody-Disgusting’s exclusive interview with Barker this week including the future of the MEAT TRAIN saga, TORTURED SOULS and his secretive horror TV projects.

Exclusives
‘Home Bodies’ Image & Poster Introduce Isolated Twins in Sci-Fi Nightmare [Fantasia 2026]
Sci-fi thriller Home Bodies is set to unsettle audiences at the 30th edition of Fantasia, and our exclusive image introduces a peculiar pair of twins at the center.
Home Bodies makes its World Premiere July 23, at 9:30 PM at Cinéma du Musée in Montreal, with the filmmakers and cast in attendance.
An eerie new poster created by Justin Erickson of Phantom City Creative heralds the film’s premiere.
In the film, “Red and Blue, twins raised in total isolation by an automated house, live according to the rules set by Papa, a disembodied voice behind a locked door who provides food, shelter, entertainment, and order. Their carefully controlled world is disrupted by the arrival of Pal, an enigmatic humanoid stranger whose presence begins to fracture the only life the twins have ever known.”
It’s a premise that calls another Canadian creeper to mind and has us intrigued: Pin.
Emma Ho, Ian Ho, and Ess Hödlmoser star.
Home Bodies is directed and produced by Casey Walker, who returns to Fantasia more than a decade after his horror-comedy A Little Bit Zombie screened at the festival in 2012. He’s since gone on to produce a number of defining Canadian genre films like In a Violent Nature, The Void, and Pyewacket.
“I started my career in Montreal and Fantasia has been part of my life ever since,” said Walker. “I couldn’t be more thrilled to return to where it all started and share Home Bodies on such a special anniversary of the festival.“
Karen Harnisch (Infinity Pool, Sleeping Giant) also produces. Executive producers are Todd Brown (The Raid, Mandy) and Chad Archibald (undertone).


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