Movies
Come on Now! The Predator Crash Lands in ‘Pride’ Drama
Is this the new future? A place where we take original literature and piss all over it? I guess one day we’ll be seeing some movies where zombies invade Edgar Allan Poe’s classic “The Raven” changing the face of movies forevermore. While last week we read about Seth Grahame-Smith’s version of “Pride & Prejudice” entitled Pride and Prejudice and Zombies, now Elton John’s Rocket Pictures will take these Jane Austen adaptations to a ridiculous new level – space. Read on for details on Pride and Predator.
Elton John’s Rocket Pictures hopes to make the first Jane Austen adaptation to which men will drag their girlfriends.
Variety reports that Will Clark is set to direct “Pride and Predator,” which veers from the traditional period costume drama when an alien crash lands and begins to butcher the mannered protags, who suddenly have more than marriage and inheritance to worry about.
Shooting will begin in London later this year. John exec produces, and his Rocket partners Steve Hamilton Shaw and David Furnish are producing.
Clark, who directed award-winning short “The Amazing Trousers,” wrote the script with Andrew Kemble and John Pape.
“It felt like a fresh and funny way to blow apart the done-to-death Jane Austen genre by literally dropping this alien into the middle of a costume drama, where he stalks and slashes to horrific effect,” Furnish said.
John will supervise the music, as he does in each Rocket-produced film.
The company is in production on the CG-animated “Gnomeo and Juliet” for Miramax/Disney; James McAvoy and Emily Blunt voice the title characters. Rocket is also behind the Sundance series “Spectacle: Elvis Costello With …”
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”