Movies
Come on Now! The Predator Crash Lands in ‘Pride’ Drama
Is this the new future? A place where we take original literature and piss all over it? I guess one day we’ll be seeing some movies where zombies invade Edgar Allan Poe’s classic “The Raven” changing the face of movies forevermore. While last week we read about Seth Grahame-Smith’s version of “Pride & Prejudice” entitled Pride and Prejudice and Zombies, now Elton John’s Rocket Pictures will take these Jane Austen adaptations to a ridiculous new level – space. Read on for details on Pride and Predator.
Elton John’s Rocket Pictures hopes to make the first Jane Austen adaptation to which men will drag their girlfriends.
Variety reports that Will Clark is set to direct “Pride and Predator,” which veers from the traditional period costume drama when an alien crash lands and begins to butcher the mannered protags, who suddenly have more than marriage and inheritance to worry about.
Shooting will begin in London later this year. John exec produces, and his Rocket partners Steve Hamilton Shaw and David Furnish are producing.
Clark, who directed award-winning short “The Amazing Trousers,” wrote the script with Andrew Kemble and John Pape.
“It felt like a fresh and funny way to blow apart the done-to-death Jane Austen genre by literally dropping this alien into the middle of a costume drama, where he stalks and slashes to horrific effect,” Furnish said.
John will supervise the music, as he does in each Rocket-produced film.
The company is in production on the CG-animated “Gnomeo and Juliet” for Miramax/Disney; James McAvoy and Emily Blunt voice the title characters. Rocket is also behind the Sundance series “Spectacle: Elvis Costello With …”
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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