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Urban Legend Director Attracting 3D ‘Flies’

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While I still haven’t taken the time to write a review for his remake of LONG WEEKEND, Jamie Blanks (Urban Legend, Storm Warning) is already out prepping his next horror film. During an interview with Inside Film, Australian producer David Hannay announced he would be teaming up with Anthony Egan to bring us a new 3D horror film entitled Flies, which will be directed by Blanks from a screenplay by Egan. Read on for the skinny.
Veteran and legendary producer David Hannay (Stone, The Man from Hong Kong) is teaming up with editor/writer Anthony Egan to produce what could potentially be Australia’s first feature film in stereoscopic 3D.

Hannay hinted to INSIDEFILM that Flies, expected to commence production in the first quarter of 2009, has already piqued the interest of a prominent sales agent at Cannes this year.

Written by Egan and set to be directed by Jamie Blanks (Long Weekend, Urban Legend), the horror comedy Flies will be about genetically altered insects that escape a laboratory that attacks a town about to open a tourist attraction in the shape of a giant blowfly.

And although Blanks’ LONG WEEKEND is about man vs nature, FLIES will look at it from another perspective.

It was a concept we thought that no one has really touched on the subject of `nature goes nuts’ in Australia,” said Egan. “So we thought up an idea that would fit that genre and have appeal in the national marketplace.

Click here to read the entire article where they talk a bit more about 3D technologies.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glen Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glen Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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