Movies
Twisted Pictures and RKO Preps Their Slate of Remakes
It has been talked about for months now, RKO Pictures and Twisted Pictures (Saw I-V, Dead Silence) have teamed up to bring you four remakes of classic films from the ’30s and ’40s. Previously announced are remakes of I WALKED WITH A ZOMBIE, THE BODY SNATCHER, BEDLAM and FIVE CAME BACK. Inside you can read a bit more about the deal and what you can expect from the upcoming feature films.
Andy Fickman has made a deal with Roseblood Movie Company and Twisted Pictures to godfather four remakes from RKO’s horror heyday, including three that were produced by horrormeister Val Lewton. Fickman will direct at least one of the films.
Roseblood is the horror/thriller division of RKO Pictures, and Twisted is the horror division of Evolution Entertainment, financiers and producers of the “Saw” series. The companies will co-finance the films.
The remake properties are the Jacques Tourneur-directed “I Walked With a Zombie” (1943); the Robert Wise-directed Bela Lugosi-Boris Karloff starrer “The Body Snatcher” (1945); the Mark Robson-directed Karloff starrer “Bedlam” (1946); and the John Farrow-directed Lucille Ball-John Carradine starrer “Five Came Back” (1939).
The first three pics were produced by Lewton when he ran the horror division of the original RKO. Lewton co-wrote both “Bedlam” and “The Body Snatcher” under the pseudonym Carlos Keith.
RKO chairman Ted Hartley is producing the remakes with Twisted’s Mark Burg, Oren Koules and Carl Mazzocone. Jonathan Marshall is executive producer.
It’s the second recent multipicture deal for Fickman, who recently made a first-look deal with Disney, where he directed “The Game Plan” and is currently wrapping “Race to Witch Mountain.” Fickman became steeped in monster lore while working as a Universal tour guide and was intrigued with the way Lewton scared up fright hits on relatively small budgets.
“After Frankenstein and the Wolfman came Lewton and RKO, and what they lacked in budgets they made up for with atmosphere, imagination and great directors making horror with psychological flair,” Fickman told Daily Variety. “It was on the heels of WWII, when Nazi Germany showed that the scariest enemy might be the person who looked like your next door neighbor. It didn’t have to be some creature.”
Said RKO’s Hartley: “I have never met a filmmaker who has the level of appreciation and passion for films that Andy has for Lewton’s incredible creations.”
RKO last produced “Are We There Yet,” a remake of the 1946 RKO Cary Grant comedy “Mr. Blandings Builds His Dream House,” and produced the upcoming “Beyond a Reasonable Doubt” with Michael Douglas, to be released next year by After Dark Films.
Twisted Pictures next releases “Saw V” on Oct. 24, followed by the Nov. 7 release of the horror musical “Repo! The Genetic Opera,” starring Sarah Brightman, Paris Hilton and Paul Sorvino. Lionsgate distributes both pics.
Described as “Ted meets ET,” David Mikalson’s raunchy comedy Goblin is being brought to life over at A24, and Will Forte (“The Four Seasons”) is now in talks to star.
Deadline first reported the news this afternoon.
Kenneth Branagh has been cast to voice the titular Goblin in the upcoming A24 movie, with the character said to be “green-colored” as well as “anatomically correct.”
Skyler Gisondo (Superman) is reportedly playing the Goblin’s human best friend.
The mysterious project sounds a bit like films including A Gnome Named Gnorm and more recently, Frankie Freako, though it’s important to note that it’s not billed as a horror movie.
Deadline details, “After [Mikalson] hatched the idea to make an outrageous buddy comedy about a goblin, using a practical puppet and operating outside the Hollywood system, his script quickly got him a rep team. While others might have eyed the raunchy comedy as a writing sample or planned to wait to see the micro-budget version Mikalson has been directing in Kentucky, A24 jumped all over it. The hot indie essentially has agreed to finance a full feature.”
“There was a lot of interest, but A24 came with what Mikalson really wanted, after spending all his money crafting the puppet title character: they acquired the movie and agreed to let him make it with a significantly increased budget than what he had left after creating the anatomically correct title character,” Deadline’s report goes on to explain.
What does the titular Goblin actually look like? Well, a cake that Mikalson had whipped up for his reps might give us our first look at what to expect. Deadline explains the photo you’ll see down below, “Take a look at the cake he commissioned with Marc Gravelle at Cake Art in West Hollywood, to present to his reps as thanks for making his dream come true.”
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