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‘Let the Right One In’ Director Slams Remake

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It was announced last week that CLOVERFIELD director Matt Reeves would be getting behind the camera for a remake of Let the Right One In for Hammer and Overture Films. Tomas Alfredson, the director of the original film hitting theaters October 24th from Magnet Releasing, talked a bit to MovieZine.se about his thoughts on remaking the film, which don’t sound all that optimistic.
MovieZine.se writes in:

Several weeks before the Swedish premiere of horror flick Let the right one in, plans are being made of a remake helmed by Matt Reeves (“Cloverfield”).

Director Thomas Alfredson doesn’t seem all too happy, when MovieZine.se asks him. Why can’t they just read the subtitles?, he wonders.

– Remakes should be made of movies that aren’t very good, that gives you the chance to fix whatever has gone wrong. I’m very proud of my movie and think it’s great, but the Americans might be of an other opinion. The saddest thing for me would be to see that beautiful story made into something mainstream.

– I don’t like to whine, but of course – if you’d spent years on painting a picture, you’d hate to hear buzz about a copy even before your vernissage!

What do you guys think? I would argue that most American won’t see a foreign film, especially if it’s subtitled. [REC] is a fantastic movie, but how many people will see it versus QUARANTINE, which is in English? I’m all for remaking foreign films, especially if you can do it good. And even if it ends up sucking, it doesn’t mean the original will be looked at the same way.

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R-Rated ‘The X-Files: I Want to Believe’ Director’s Cut Gets New Title and Streaming Premiere Date

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R-Rated The X-Files: I Want to Believe

After a slight delay, Disney has finally announced a new streaming date for the R-Rated director’s cut of The X-Files: I Want to Believe. According to Gizmodo, it’ll also come with a new title.

The X-Files: I Want to Believe Vrach Frankenshteyn begins streaming on Hulu on August 14. 

The new cut was first teased in an interview with director Chris Carter on the Fail Better With David Duchovny podcast from last year, where he teased a much scarier movie he intended.

Now I have a chance to go back and make the scary movie that I always intended to make,Carter explained last year.It’s not just doing a Director’s Cut to do a Director’s Cut. It’s really kind of bringing to life something that for me was on the page and never got to the screen.

The director’s cut of the film was initially set to arrive on Disney+ in June, but quietly disappeared from the schedule without a word. Polygon reported the delay wasdue to some last-minute adjustments being made to the film.” 

The release’s newVrach Frankenshteyn” title certainly suggests those adjustments have been made, likely referring to a Frankensteining of bonus footage.

In the film, Mulder (David Duchovny) and Scully (Gillian Anderson) have been out of the FBI for several years, with Mulder living in isolation and Scully having become a doctor at a Catholic hospital, where she has formed a bond with a critically ill child patient.

When an FBI agent is mysteriously kidnapped, and a former Catholic priest who has been convicted of pedophilia claims to be experiencing psychic visions of the endangered agent, Scully is asked to bring Mulder back to the bureau to consult on the case because of his work with psychics.

The brand new R-rated cut willfaithfully restore the filmmaker’s original vision.

Look for it on Hulu next month.

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