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Fear Itself Review: Episode 1.5 'Eater'
Wednesday, July 2, 2008


By: Tex Massacre
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This afternoon B-D writer Tex sent in his latest review of NBC's Fear Itself (review), which continues tonight at 10/9C. Inside you'll find a review of Stuart Gordon's "Eater." Johnathon Schaech ("Masters of Horror," "That Thing You Do!"). A rookie cop (Elizabeth Moss, “Mad Men”) must spend her first night in the precinct watching over a serial killer, coined "The Eater" (Stephen R. Hart, "Shoot ‘Em Up"). When her fellow cops start acting bizarre, she quickly learns that no one is who they seem. Russell Hornsby ("Lincoln Heights"), Pablo Schreiber ("The Wire") and Stephen Lee ("Boston Legal") also star.

Fear Itself: Episode 1.5 ‘Eater’

This week, Director Stuart Gordon leads the latest batch of MASTERS OF HORROR alumni to your television sets. With a screenplay by THE WASHINGTONIANS scribes Richard Chizmar and Jonathon Schaech, this time around the cast and crew of FEAR ITSELF must contend with an “Eater” which is—apparently—cop slang for a cannibal serial killer. So, with a premise like that, is this episode going to be delicious or distasteful? Let me open up a nice bottle of Chianti and give you some insight.

Elizabeth Moss plays Rookie Cop Dani Bannerman (do I detect a hint of genre name dropping tied up in that moniker). Dani is a horror geek. We know this because one of her insensitive and sexually harassing cop buddies makes fun of her for reading a Fangoria-type magazine on the job. But, when a hulking serial killer is brought into custody and locked in a third floor holding cell, Dani gets a first hand look at what real horror entails. The Eater tortures his victims, makes dead skin suits, and uses skull soup bowls and lampshades of flesh. He’s a Buffalo Bill/Ed Gein mash-up but the joking cops at the station just refer to him as Hannibal Lecter all the while slurping their lips and making fava bean jokes. The Eater knows his voodoo too, and with his mojo working overtime, he might be out of his cell before anyone even knows he’s missing…and Bannerman looks like just the type of dish he’d likes to eat!

EATER certainly lends itself heavily to a Kevin Williamson/Wes Craven sense of self-referentiation but unfortunately the screenplay never lets the proverbial black cat out of the bag—meaning that for all of Moss’ interest in the subject she never uses her knowledge to save herself. Perhaps the film is a lesson to horror fans—a neighborly warning that our love for the macabre will never help us survive an actual night of terror. Moss plays the part of the Rookie Cop with just enough believability to be convincing in both the naďveté and the authority. She also hints at a past that is not explained when she briefly removes her shirt to reveal a sleeve of tattoos adorning both arms.

Gordon manages to makes the film fly by with his nearly flawless direction. EATER is at once claustrophobic—trapped entirely inside the desolate the police station in the dead of winter—and yet the varied camera angles and broad stedicam shots open the world up to a labyrinth of possibilities. Gordon also wrings a few major moments of suspense from the closed set—including several sequences set simply near the holding cell of the prisoner. But despite an uncomplicated set-up and some exacting direction on Gordon’s part the production is saddled with some severe flaws. The first is the idea that all the senior staff of a police station would pack up and go home when an extremely high-profile serial killer has been left in their charge. The second is that—with the exception of Bannerman—the film is populated by an onslaught of highly unlikable characters. But, the film really falters in its final austere ending moments—something that the original story (the film is based on a short by British genre writer Peter Crowther) likely supplied. To say that I didn’t see it coming or to say that I didn’t want to see it end that way, is a testament to Moss’ performance. But ultimately Gordon and Moss’ combined talents can’t help EATER rise too far above its hamstrung source material.

6/10 or 3 Skulls


Source: Tex Massacre

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Read 9 User Comments

djblack1313
5:20pm, July 2, 2008

this is one of the eps i'm MOST excited to see (the other being Bausman's "New Year's Day. anything zombie and i'm in!). and it's being broadcast on my b-day. nice gift!


americangods
6:58pm, July 2, 2008

I'm curious as to why they brought in the writers of 'The Washingtonians' episode of Masters of Horror. Its obviously not one of the more liked episodes, mainly because the writers didn't understand the source material (or the original writer, Bentley Little's sense of humor). More over, I curious as to why Jonathan Schaech can get by as a writer, its obvious from the movies he chooses to act in (Prom Night remake, The Forsaken) that he has no idea what a decent script reads like.


djblack1313
7:33pm, July 2, 2008

americangods, i agree %100 w/you regarding Schaech. i was talking to a friend about this today. we were like since when is Schaech this pulitzer prize winning writer or whatever.


Tex Massacre
9:02pm, July 2, 2008

Hey DJ and Americangods. I think you've got to look at the Mick Garris connection. Richard Chizmar is Schaech's writing partner on these scripts (and the upcoming FROM A BUICK 8). Chizmar is the publisher of Cemetery Dance which for the past 20 odd years has put out genre publications and limited edition books (including those by Stephen King and Mick Garris). It would seem that Schaech is getting a big lift in his writing credibility from Chizmar. I wouldn't discredit his acting choices though, the dude is hardly an A-list thespian so I imagine he takes whatever roles he can get. I guess we should give him credit for not just sitting around the past 7 years and being Mr.Christina Applegate!


ilwitchgrrl
12:41am, July 4, 2008

I should preface this by saying I never watched Masters of Horror because we didn't have Showtime, and I just haven't gotten around to renting the DVDs yet, but I've heard mixed reviews of various episodes. It sounds like there were some pretty good ones. However, I've been tuning in to Fear Itself every week. We've seen five episodes now. And I've been disappointed by all of them, to some degree. What's killing me (hah) is that every one of them has had some potential to be good, if not great. And each one has screwed it up royally. Tonight's episode, 'Eater', started out with great potential. I was actually excited, and really getting into it. It even had a genuine possibility of being actually CREEPY. It was GOOD. And at the halfway point, they did something really dumb. But then it started to swing back towards good, so I had some hope. But then the end came, and it was god awful. It was like the writers said 'eh, ef this noise', and ended it all. Literally. It ended, and we sat there and looked at the screen for a moment. Then my husband says "this TV show is not living up to its potential." "mm hmm" I agree. "No," he says, "that's not even true. It's like it's showing you good, and then taking it away and giving you terrible." I was just really disappointed in the turns this episode took. I never read the source material so I can't compare it. I also see people referencing 'The Washingtonians'; I've read the story (and thoroughly enjoyed it), but obviously haven't seen the MoH ep based on it. I gather they butchered (heh heh) that one too. Won't someone please make some good short horror episodes?


djblack1313
2:23am, July 4, 2008

this was an awesome ep! the BEST so far! i loved it.


ZombieNirvana
1:55pm, July 4, 2008

I think this was the best episode so far. Unfortunately, that isn't saying much. It had some good moments, but ultimately fell flat. Hopefully the next episode - zombie apocalypses are always a plus in my book! - will make up for it.


Evil Alien
10:48am, July 11, 2008

hmmmm...the show can't seem to figure out what it wants to be. rather, the producers don't seem to know. is it going to be pre-teen schlock with "super-twists"? or is it going to move in a darker more adult direction? clearly this episode is moving in the latter and not surprising it is also one of may be two episodes worth anyone's TV time this season. gore and "twists" are great but only if the writing is grounded and well done...otherwise you get episodes like last week's wedding story crap. thank you SD for offering something half-way decent for more mature horror fans.


tothegrave
3:29am, December 22, 2008

What was the Texas Chainsaw Massacre reference in it? Either I wasn't really paying attention when it came along or I just completely missed it. Anyways, this episode was meh. I didn't even know it was an NBC thing, which is good, because if I had known I more than likely wouldn't have watched it. My biggest gripe is the ending. I hate when movies or whatever end like that.


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