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| Classic Horror From earliest Horror Classics - 1950's. |
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#1 |
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Fresh Kill
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Niallist
is going to make an opening in your head for brains
to leak in.
Join Date: Oct 2009
Location: Arkham, Massachusetts
Posts: 155
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A lot of film historians and viewers, when looking back at science fiction films from the Cold War (particularly the McCarthyist fifties) see a cinematic body rife with fear of the Communist threat. Examples of such movies might include Invasion of the Body Snatchers, The Blob, Them, and The Thing From Outer Space, all of which involve amassed forces advancing on, infiltrating, destroying, and/or enveloping middle America.
Though I'm inclined to agree that these sentiments of paranoia and infiltration are obvious symptoms of American cultural reaction to the Red Menace, I've also heard a lot of critics (including The Blob screenwriter Rudy Nelson) who totally dismiss these ideas, or at least downplay them. How much of a role, if any, do you think Cold War paranoia played in the creation and popularity of such films, and what other possible examples can you think of? |
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#2 |
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Fresh Kill
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Dead & Messed Up
is walking with the dead.
Join Date: Feb 2008
Posts: 454
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I smell homework.
__________________
READ ME AT horror films 101 03/28/12 - Feature: Candle Cove 03/26/12 - Review: The Maker of Gargoyles (Clark Ashton Smith) 03/04/12 - Review: The Video Dead (Robert Scott) |
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#3 |
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Fresh Kill
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Robert Thorn
is in Horrorfest Mode
Join Date: May 2008
Location: Soylent Green is People!
Posts: 117
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Look, the people who made those films can deny the influence of commie/Red Scare 50s paranoia on their work all they want, but its clearly there. The only one of the bunch that may be the least obvious is probably The Thing From Another World and maybe Invasion of the Body Snatchers, and even those films are clearly about fear of the godless commie heathens conquering us and defeating good old fashioned American values and beliefs. All hail capitalism!
__________________
This has nothing to do with where I came from, or what happened to me... I would've ended up here no matter what. I made a choice, I made a choice to provide a counterbalance to all those things that we hold good... and pure. You chose journalism, okay.
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