The Mist: Director Frank Darabont "I think it’s more relevant now than ever! I don’t think it was ever not relevant, ‘cause human nature is pretty consistent. This stuff goes back to Greek tragedy, but it has become very relevant because we are in a culture of fear and we are seeing people making, I think, mistakes as a result." By: Kara Warner
The Mist: Religious Freak Marcia Gay Harden "I don't think religion is the bad part, but I think extremism allows a consistency of behavior that is bad. Certainly she had a mania, which I discovered only in shooting. When they first called her the "kooky" lady in the script I thought that's what you call somebody you don't like. But in shooting it, I actually understood that she was probably a paranoid schizophrenic because I felt she was hearing god." By: Kara Warner
The Mist: Star Toby Jones Talks to B-D "Like a lot of films that are made nowadays, it's a horror film about horror films isn't it? It's about the nature of what fear does to people. Because King didn't provide an ending and because of where he sets it, in a non-horror, almost like a anti-horror location, it's almost drawing attention to itself, it's artifice, in a way"" By: Kara Warner
Jericho/Hellraiser: Clive Barker Reveals All! "Here was an idea, which really wanted to be a game. It didn’t want to be a short story or a comic book. It really felt like a game. And as I developed it slowly, not telling anyone, just working away on it quietly until it was in a place where I could start talking to people about it, I kept asking myself ‘is this a game?’ to see if it really behaved like one. And it did." By: Mr. Disgusting
Borderland: Director Zev Berman "It IS exciting. I just saw the trailer they cut for Borderland, along with a new poster and I’m honestly blown away. These folks are very clever and thoughtful with their approach to marketing." By: Tex Massacre
Shrooms: Director Paddy Breathnach "I made a decision not to get too distracted by trying to recreate the experience of tripping because that wasn’t where the horror was going to come from. We do it for comic effect early on but the laughs stop as the tension takes over." By: Mr Disgusting
Nightmare Man: Director Rolfe Kanefsky "Excited is not a strong enough word. Getting chosen for the festival was like winning the lottery and the way it happened is also a great story." By: Tex Massacre
Fido: Chat With Director Andrew Currie "I spent a lot of time researching Technicolor films and discovered that there really wasn’t one specific ‘look.’ It really depended on which studio was making the film, where it was shot and processed, etc." By: Mr Disgusting
Feast/Saw IV: Co-Writer Marcus Dunstan "Jigsaw has a few tricks up his sleeve to keep the games going without betraying logic or upsetting the balance of the previous entries. It was the biggest hurdle that Patrick and I had right out of the gate and the answer, I promise, is coming Oct. 26!" By: Mr. Disgusting
Saw IV: Interview With Star Costas Mandylor "As far as Saw goes, there are some wild scenes that we've all seen but there is one thing that's undeniable and that is it's clever. There are reasons for certain people being put in certain predicaments and because it's smart, I respect it." By: Mr. Disgusting
Saw IV: Interview With Tobin Bell (Jigsaw) "It is a fun part to play. He’s grand. He’s extremely committed to what he does, he’s multi-faceted, he’s a reader and a scientist and an engineer. He’s interested in the world and in politics. It’s as good a part as you might want to play." By: Mr. Disgusting
Plague Town Set Report: Director David Gregory "It’s always been my favorite genre. I grew up in England, in the era in the video nasties, and saw many of them before they were banned, and during that time, I had no other interest in anything else than horror. And I’m still a huge fan to this day." By: David Harley
Plague Town Set Report: Producer Derek Curl "I've done a lot of music videos that run in rotation in MTV Europe and Asia and low budget movies, most that have not seen the light of day. This is probably the largest budget Ive come onto." By: David Harley
30 Days of Night: Producer Sam Raimi "It is very different but I don't know if there is going to be a sequel to 30 DAYS OF NIGHT nor do I know, if there was, if it would be based upon that. We'd have to see if it's successful at the box office and see if people really want to see a sequel." By: Mr. Disgusting
30 Days of Night: Star Josh Hartnett "I wanted to do it because of Slade's vision. [He visualized it as] visceral, dark and had a very artistic vision." He explains that 30 DAYS "is a throwback to NOSFERATU with less courtesy and less tall black collars." By: Mr. Disgusting
30 Days of Night: Star Melissa George "[The vampires] wanted to keep what they had and not infect others. It was quite bloody [because of this].” She also chatted about how freaky the vampires sounded, besides the invented language they made an interesting sound, "They do this inward screeching sound… it’s very creepy!" By: Mr. Disgusting
Postal: Writer-Director-Producer Uwe Boll "We got NC-17 and I want to release it as NC-17. It’s a movie that shouldn’t get cut; we should keep it how it is. It is what it is. There are a lot of gore scenes." By: BC
Stuck: Director Stuart Gordon at Midnight Madness "We were working on this for a couple years, and first we were keeping it very close to the real events, and then one day we said “What if this happened instead of that?” and then all of a sudden, we found, in a strange way, this is sort of how the way things SHOULD have happened." By: BC
Hatchet: Stars Joel David Moore and Tamara Feldman "I’m really glad for Adam because he’s been working so hard on it, so he really deserves to succeed and to see how much everyone loves his baby. I’m really excited; I can’t wait to see it in theaters. I think it’s time for something like this: its funny, it’s gory; it’s like a roller coaster ride." By: BC
Frontière(s): Writer/Director Xavier Gens "The main inspiration came from the presidential election in 2002 in France. We got an extremist in the second turn. That was a great chock for all the French people. It was like you come back in the 40's, during the Nazis’ occupation in France." By: Mr. Disgusting
The Objective: Writer/Director Daniel Myrick "Well, the area itself is somewhat ambiguous. The "UFO" they see, however, is much more distinct, based on the Vimanas "Flying Triangle" mythology found in Middle Eastern and east Asian folklore." By: Mr. Disgusting
Albino Farm: Star Bianca Barnett "The directors were seeking an actress comfortable with wearing the extensive prosthetics and physically capable of all the stunts involved. It was a three to four hour process to transform into a monster everyday and most of my scenes involved fighting, running, screaming and crawling about in caves. It was easily my most challenging and rewarding role yet." By: Mr. Disgusting
Right at Your Door: Writer/Director Chris Gorak "Tackling current affairs in film is a tricky thing because you are at the mercy of what happens in reality, what is reported in the news and therefore what headspace the general public is in at the time. It affects the writing process, the filming process and so on.... I wrote the first draft of RIGHT AT YOUR DOOR at the end of 2003 out of disgust for the Iraq war and the false pretenses we used to start it." By: Mr Disgusting
Halloween: SDCC Chat With Director Rob Zombie "They never mentioned the remake thing to me. They didn’t bring up anything actually... I think they were pretty much unsure what to do. I know they had a lot of scripts that they didn’t like. Or they would have made the movies." By: BC
Resident Evil: Extinction - Interview w/Star Milla Jovovich "I haven’t seen what they’ve worked out yet for the dog sequence but the way it’s written is pretty cool. And it’s a great setup, like where she ends up, captured by these survivalists and their kind of weird, creepy Satan worshiper dudes with symbols on the wall." By: Mr. Disgusting
Resident Evil: Extinction - Interview w/Star Ali Larter "I think it's a really fresh take on these movies and it's really 'Mad Max' meets kind of 'The Birds' and I just thought that he wrote it really well and I thought it would be an interesting, fun adventure to come do." By: Mr. Disgusting
Resident Evil: Extinction - Interview w/Star Oded Fehr "I’m a lot more excited about this one than I was on the last in the sense that I just think this is going to be a better movie than the last one. I enjoyed doing the last one but when I read the script and coming into Mexicali where we shot the dunes and all the rest of it, and seeing it, seeing stills of what the movie will look like." By: Mr. Disgusting
Resident Evil: Extinction - Interview w/ Producer Jeremy Bol "We might go to Tokyo, or we might go to Alaska; Chris Redfield is in Alaska, so we’re partly leaning to Alaska, cause there’s a belief that there are survivors in Alaska – but I love the irony of taking it to Capcom in Tokyo." By: Mr. Disgusting
