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‘The Bunny Game’ Becomes Latest Victim Of BBFC Censorship

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It was announced back in June that Trinity acquired UK rights to Adam Rehmeier’s highly controversial film The Bunny Game and will be releasing it through their new home entertainment label Trinity X in early 2012.

Unfortunately, it looks as if Rehmeier has a lot more in common with Tom Six than he knew. Much like The Human Centipede 2 (Full Sequence), The Bunny Game‘s DVD release has been rejected by the BBFC (British Board of Film Classification). I don’t understand why they feel the need to publicly humiliate these films, like they’re going to shame them into submission.

Bunny Games follows a female prostitute (Rodleen Getsic) who hitches a lift with a truck driver. The truck driver (Jeff Renfro) kidnaps the woman, restrains and forcibly strips her, and proceeds to physically and sexually abuse and humiliate her. The abuse of the kidnapped woman takes up the greater part of the film. I like to call it “hyper horror”.

Condemning yet another film, David Cooke, Director of the BBFC stated: “It is the Board’s carefully considered view that to issue a certificate to this work, even if confined to adults, would be inconsistent with the Board’s Guidelines, would risk potential harm within the terms of the Video Recordings Act, and would accordingly be unacceptable to the public.

Rehmeier responds exclusively to Bloody Disgusting stating: “I think ‘The Bunny Game’ is way less disturbing than ‘Pretty Woman’. Somehow it’s more socially acceptable to glamorize prostitution under the guise of a rags-to-riches fairy tale where Richard Gere falls in love with the whore by the end of the film.” He continues, “Rodleen and I didn’t make ‘The Bunny Game’ to glamorize prostitution. It is far from an erotic film. It is a modern cautionary tale grounded in reality.

CENSORSHIP.
The Board’s Guidelines state “A strict policy on sexual violence and rape is applied. Content which might eroticise or endorse sexual violence may require cuts at any classification level. This is more likely with video works than film because of the potential for replaying scenes out of context. Any association of sex with non-consensual restraint, pain or humiliation may be cut“. The principal focus of The Bunny Game is the unremitting sexual and physical abuse of a helpless woman, as well as the sadistic and sexual pleasure the man derives from this. The emphasis on the woman’s nudity tends to eroticise what is shown, while aspects of the work such as the lack of explanation of the events depicted, and the stylistic treatment, may encourage some viewers to enjoy and share in the man’s callousness and the pleasure he takes in the woman’s pain and humiliation.

The Board considered whether its concerns could be dealt with through cuts. However, the pervasiveness of the abuse makes it very difficult to deal with The Bunny Game by means of cuts. If the company would like to attempt to cut this work in order to submit it in a reduced form, they are entitled to do so, but the Board can offer no assurances that such re-editing would be successful.

END CENSORSHIP

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New Documentaries Explore the Cult Legacies of ‘The Keep’ and ‘Wolfen’; Watch the Trailers Now [Exclusive]

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The Keep and Wolfen documentary

Undersung werewolf gem Wolfen and Michael Mann’s The Keep get the spotlight in a pair of feature documentaries acquired by Antenna Releasing.

A World War II Fairy Tale, which covers the infamous production of and reception to The Keep, will receive a limited theatrical release in October, followed by a TVOD release on Apple/Amazon. The Keep will also screen as a double feature for some showings.

For Uncovering Wolfen, Antenna eyes a limited theatrical release for 2027. Both films are currently available for booking via Antenna prior to their theatrical and digital releases.

Both documentaries are directed by Stewart Buck, who co-helms with Stéphane Piter on A World War II Fairy Tale.

We at Antenna are obsessed with film history,said Chief Acquisitions Officer Billy Ray Brewton.Stewart has done such a remarkable job of really diving into the deepest recesses of how these films were made and, in doing so, has created the definitive histories of both projects.

We’re delighted to be partnering with Antenna Releasing!said director Buck.It’s refreshing to see a filmmaker-friendly approach to distribution with people who know what it’s like to be in the trenches with independent projects that struggle to find a home in the crowded marketplace.

Check out our exclusive trailer and poster reveal of both documentaries below.

Released in 1983, Michael Mann’s The Keep was a notorious box office bomb, critically lambasted and all but forgotten for years, save for the fascination with Tangerine Dream’s iconic score. In recent years, the film has enjoyed a bit of a resurgence and is widely considered a cult classic, though director Michael Mann and many cast members refuse to acknowledge it.

Wolfen, on the other hand, was critical success but was overshadowed heavily by its flashier 1981 siblings An American Werewolf in London and The Howling. It’s also a trailblazer for socio-political horror, and the doc will explore that via the craftspeople who made it.

Look for them both in theaters soon. Stay tuned for more as it arrives.

 

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