Movies
Leatherface Won’t See Trial in ‘Texas Chainsaw Massacre 3D’ — Script Detailed!
The secrets have been out of the bag since day one, and information from Lionsgate’s Texas Chainsaw revival is leaked at every turn.
To segue you into the latest news, let’s recap: John Luessenhop is directing from a screenplay by Kirsten Elms, Stephen Susco and Debra Sullivan. Luessenhop helped with the script. Genre fav Bill Moseley – who also starred in Texas Chainsaw Massacre II – landed the first lead role. And we confirmed that Lionsgate has acquired the rights to use the official title The Texas Chainsaw Massacre 3D (as opposed to the previously announced Leatherface 3D).
We also broke the news that the seventh incarnation is a direct sequel to Tobe Hooper’s classic 1974 film that follows the lead character, Heather, who along with her friends, travel to Texas in order to collect an inheritance. It was implied that Heather would find out she’s related to the infamous Leatherface.
Now, website What’s Playing is reporting that they’ve got their blood-soaked mitts on the actual screenplay — and I believe ’em considering they’ve got a reputable team behind ’em. If you’re not much for spoilers, turn away this instant, otherwise read inside for a breakdown of the bizarre new legend of Leatherface….
“The new film, set today, will see the authorities and some angry townspeople ambushing the Sawyer home – where Jeb Stuart is accused of carrying out his butchering.
Hooper, the local by-the-book sheriff, had agreed to give Leatherface/Jeb Sawyer a fair trial and grant him a good lawyer…. But that’s before local mayor Burt Hartman, an imposing town tough-guy, arrives with a mob to see that the murderer/s don’t even make it past their front door. Though they both want justice, Hooper and Burt have different methods. Things escalate when Burt’s mob start tying ropes to trees, prepping for a hanging, and ultimately throw a flaming cocktail into the Sawyer home… burning the place, and it’s residents (including Jeb’s father, Drayton, played by Bill Moseley), to the ground.
Goodbye Sawyers… goodbye Leatherface?
You can guess what happens next : The Chainsaw killings start up again (there’s a fun sequence at a carnival where our villain starts chopping away at the attendees) and Hooper is forced to believe that Jeb Stuart somehow survived the fire and is back for revenge. But is it Jeb? And if not, who is it? and why have they surfaced?
To entice the young ones, there’s a young heroine in the film, Heather who – Halloween H20 should maybe get a ‘special thanks’ in the credits – learns she has a disturbing connection to the murderous Sawyer. Heather’s a bit of a hornbag but possibly more disturbing is her taste for things of a darker nature (not just referring to her boyfriend either) – like her art pieces which border on revolting. Still, there’s good in this family member and enough intelligence and determination to find out what’s really going on..
All the 3D jumps and scares are weaved into the script – the `teeth that come flying at the audience’ when Leatherface smashes one of the youngster’s mouths with a meat hammer. They’re fun moments but what’s most impressive about the story here is that it’s a really intriguing mystery movie, it’s not as cut-and-dry as the previous Chainsaw movies, and will have you both thinking… and freaking.”
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”