Movies
Gang vs Serial Killer in WWE’s ‘No One Lives’
Fans of See No Evil (2006) will be excited to learn that WWE Studios will be returning to the ring to revisit the horror genre with No One Lives, a co-production with Pathe U.K. that will star Luke Evans (Clash of the Titans, Immortals), with Ryuhei Kitamura (Versus, Midnight Meat Train) directing, reports Variety.
Plot for the horror pic, penned by David Cohen, “revolves around a ruthless gang that takes a young couple hostage in an abandoned house in the middle of nowhere. When the captive girl is killed, the tables are unexpectedly turned, and the gang finds itself outsmarted by a seasoned killer.”
Evans plays one of the villains.
Production starts in Louisiana June 13.
Released by Eli Roth’s label The Horror Section last year, Joe Begos (VFW, Christmas Bloody Christmas) horror movie Jimmy and Stiggs is getting an official spinoff movie.
Sebastián De Caro has acquired the Argentine spin-off rights to Jimmy and Stiggs from The Horror Section, and his spinoff movie will follow new characters in Argentina.
The title? Burger Night: Luli, Magda & Lore. Eli Roth and Joe Begos will Executive Produce the film, which centers on the same alien threat from Jimmy and Stiggs.
Variety reports this afternoon that the film will feature an all-female cast.
Agostina Palazzolo (“Ciclón), Agustina “Papry” Suásquita (Netflix’s “Envious”) and Maia Tarcic (“Letters to My Ex”) will star in Burger Night: Luli, Magda & Lore.
“I am thrilled with the cast — these are women of extraordinary talent, true cinema lovers, brave and wild. They are going to surprise everyone. Each one understands her character perfectly and they all fell in love with the original material,” Sebastián De Caro said.
In Jimmy and Stiggs…
A perfect storm of lousy news sees out-of-work filmmaker Jimmy spiral into a bender, during which he claims to have been abducted by aliens. Fearing their return, he contacts his old friend Stiggs to help him gear up for war. Begos stars alongside Matt Mercer (Contracted), practical alien puppets, and a whole lot of gore captured on 16mm film.
Daniel Kurland wrote in his review, “The world needs more playful, gonzo small-scale-yet-apocalyptic horror films like Jimmy and Stiggs. It’s a movie that has constant tricks on display and perpetually sprays blood in the audience’s face, but there’s an earnest center to it all.”
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