Movies
Introducing 13 Days of Friday the 13th: Day One – Friday the 13th (1980)
We are officially 13 days away from New Line Cinema’s reboot of FRIDAY THE 13TH. For anyone who grew up on the franchise, this is a pretty big deal, considering it marks the 12th film and possibly a new beginning for a beloved Jason Voorhees. We can’t wait for the release, so we conjured up the plan to do a whopping 13 DAYS OF FRIDAY THE 13TH, which will feature a look at all twelve films, huge contests and other random articles that will have you bleeding for more. Today we start this two week long extravaganza with BC’s look back at the film that started it all, Friday the 13th.
For a horror fan, there is no escaping Jason Voorhees or Friday the 13th. Even if you have never seen a single movie (for shame!), you know who he is, what he does, and what he looks like. But that’s from my perspective. I grew up in the 80s, played the video game on a system known as Nintendo (now referred to as “The 8 Bit”), and suffered the indignity of that comic where he fought a talking Leatherface.
But what about those who grew up in the Jason-starved 90s? The only Jason films they might remember in theaters are the ones where he fights Freddy or goes off into space. The remake may be their first real introduction to the hockey masked behemoth that stalks teenagers at a place known as Crystal Lake. So for them, Bloody Disgusting and Horror Movie A Day would like to present this retrospective series: 13 Days Of Jason. Each day leading up to the remake’s theatrical release, BC will be showcasing one of the original films, with trivia, factoids, thoughts, and his own full blown review.
Bloody will also be presenting a few other articles that highlight some of the series’ traditions, such as the lovesick nerd character and Jason’s habit of using unique weapons. Because even if you don’t agree with BC’s assessment of each film, there’s one thing we can all agree on: Jason fucking rules.
AKA: “The one where his mom’s the killer”
RELEASE: May 9, 1980 (1,100 theaters)
GROSS: $39,754,601
PLOT: Twenty or so years after a pair of horrific murders, Camp Crystal Lake is reopened, apparently catering to non-discerning parents looking to get rid of their kids for a few weeks at the cheapest rate possible. Roughly two hours after arriving, the camp counselors are dispatched by an unseen killer, who is revealed to be “not Jason” to anyone watching the film for the first time today.
THOUGHTS: It’s not without problems, but the lack of Jason isn’t one of them. The kids are likable, the kills are simple but impressive (no weedwhackers or road flares here), and there’s some actual suspense, something most of the sequels eschewed entirely. Also: Steve Christy and his magnificent mustache/bandana combo.
(Read BC’s full review at Horror Movie A Day)
BEST KILL: Savini has spent the past 30 years explaining them all away, so they no longer have as much novelty, but I’ve always liked Annie’s death the most. It’s a simple throat slashing, but on a character that you almost think is the heroine. Plus it’s the first F13 kill (WITH AN ONSCREEN IMPACT – JEEZ), which makes it pretty historic.
MOST “HUH?” MOMENT: Brenda loses what seems like her first hand of strip Monopoly (she’s still fully clothed), so naturally her response is to take off her top while saying “Worst run of bad luck since Richard Nixon!”
FUTURE STAR: Wrong Turn 2 director (and F13 aficionado) Joe Lynch’s newborn baby probably even knows that Kevin Bacon plays one of the counselors.
TRIVIA: Did you know that Betsy Palmer only agreed to do the movie because she needed a new car? Of course you did, because she tells the story to anyone that will listen (including THREE times on the new DVD alone!). But what you may not know is that she, like many fans, thought her reveal as the killer was a cheat, and begged to have a scene in the film near the beginning that would at least let audiences be aware of her existence. But Sean Cunningham claimed no one would care, because they didn’t have the IMDb messageboard back then.
Check back tomorrow for Friday the 13th: Part 2!
Click here to keep up with all of our 13 Days of Friday the 13th coverage!
The creators of internet icons that go on to inspire collaborative online fiction tend not to have much control over their creations once they leave the proverbial nest. From Victor Surge’s Slender Man to the anonymous user who first posted that Backrooms image with the accompanying text, once the internet hive mind takes over, artists are usually forced to sit back and watch as their stories take on a life of their own.
One exception to this rule is horror artist and creature designer Trevor Henderson. Back in 2018, Henderson introduced the world to an enigmatic figure named Siren Head and gave the online horror community their last great mascot. However, while the immensely popular creature made several unofficial (and sometimes unwanted) appearances in games, videos, and plenty of fan-art, Henderson miraculously managed to keep creative control over his monster even as it became a worldwide sensation.
With the success of Kane Parsons’ Backrooms film encouraging Hollywood to scour the internet for more online horror properties with an existing fanbase that might be enticed to show up to theaters, it makes sense that both Trevor and his digital offspring would be next in line for a big screen adaptation.
However, while Siren Head became a massive hit among the younger crowd who were in search of an online horror icon to call their own, much like my generation did with Slender Man, there are plenty of genre fans who aren’t familiar with the story behind this peculiar creature. That’s why I’d like to invite readers to join me as I dive into the origins of a beloved internet monster with more cinematic potential than you might initially believe.
Trevor Henderson’s Viral Horror Universe
To understand Siren Head, you first have to understand Trevor Henderson’s spooky body of work. A Canadian artist with a passion for coming up with online cryptids, Trevor went by the moniker of Slimyswampghost and would occasionally post photorealistic artwork on both Twitter and Tumblr as part of the internet tradition of sharing “cursed images” on social media. These found-footage-influenced digital paintings would often be accompanied by brief snippets of text contextualizing them within the artist’s larger universe of bizarre entities.
In August of 2018, Trevor posted several creepy creations that would end up becoming fan-favorites (from the 1930s-animation-inspired Creepy Cat to my personal favorite, Long Horse), though none of these could compete with the popularity of Siren Head. A tall, slender figure that camouflaged itself among telephone poles on isolated roadsides, this humanoid monster was inspired by the mysterious number stations phenomenon (real-life cryptic radio broadcasts that repeat coded numbers ad infinitum).
In his original post, Trevor included the following text alongside the picture:
She was on vacation with her husband, and they were scoping out graveyards on the way, as you do, when she saw it. Rising out of the old cemetery, big as an old (macabre) telephone pole. Was this some kind of bizarre art piece the authorities hadn’t gotten wise to yet? Even as she stepped out of the car, the megaphones on its “head” screeched to life. “NINE. EIGHTEEN. ONE. CHILD. SEVENTEEN. REMOVE. VILE“. A buzzing, doubled voice screamed random words at her. At this point, it jerked into motion, striding down the hill towards her.
And just like that, a new horror icon was born.
However, the creature didn’t become an overnight sensation like some other popular internet legends. It was only about six months later that Modus Interactive contacted Trevor asking for permission to include the monster in his contribution to that year’s Haunted PS1 Halloween Game Jam. The ensuing free-to-play title was a moderate hit, but Siren Head would lay dormant for a while after its release as Trevor continued to focus on other projects.
How Siren Head Went Viral
Then the COVID-19 pandemic hit, and short-form video content took over the internet. In April of 2020, Tiktokker and VFX artist Alex Howard created an eerily believable video of Siren Head towering over a cityscape, with this viral hit catapulting the character to mainstream recognition as genre fans raced to find out more about the enigmatic creature.
Suddenly, Siren Head was everywhere. Memes, toys, short film adaptations and even more videogame appearances led to the character occupying the same place that Slender Man had once held in popular culture. The only difference was that fans continued to refer to Henderson for more “official” lore about the monster, with the artist encouraging fan-made work but continuing to expand the mythology surrounding the character (which has since been revealed to be the physical manifestation of an Eldritch entity that preys on humankind).
Henderson even went so far as to discourage the character’s inclusion in the SCP Archives, as this would give Siren Head a Creative Commons license and allow bad actors to take advantage of the creature’s popularity. Not only that, but giving fans too much creative control over the monster would have inevitably lead to what some genre enthusiasts, such as Kane Parsons, refer to as “lore creep”: the overaccumulation of fictional information regarding a horror property that ultimately makes the story less scary.
While we’re past the peak of Siren Head’s online popularity, the character still holds a special place in genre fans’ hearts as an icon representing a particular moment in internet history. That’s why even horror titans like Junji Ito have expressed their love for the monster, and also why it makes sense for Hollywood to finally get off their butts and get around to adapting the creature to the big screen – especially since the monster’s success has led to Henderson developing a career in the horror genre (with several freaky projects ranging from Young Adult Horror novels to Bloody FM’s own Mayfair Watchers Society Podcast).
With the cinematic dream-team of both Zach Cregger and Brian Duffield joining forces in order to steer Trevor’s ideas towards box office gold, I think it’s safe to say that Siren Head is about to get the big-screen adaptation the fans deserve, and I know I’ll be there on opening night!
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