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‘My Bloody Valentine’ in Mind-Blowing 3-D?

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Ever since Lionsgate announced that their remake of My Bloody Valentine would be in 3-D I have been nothing but skeptical. But since then, I have heard loads of buzz from people who have seen dailies and 3-D tests who have all said that it looks tremendous. In fact, the new 3-D adds depth instead of just popping out at the audience, which I’m quite interested in seeing. Today a new interview with star Jamie King was posted where she talks about how Lionsgate will bring us INTO the remake, which was helmed by Patrick Lussier.
Those expecting to see just a straight-forward remake are in for a treat, as this version will not only be a 3D film, but also be shot in 4K – a new version of HD filming that’s taking movie-watching to a whole new level, according to MTV.

Normal HD is 2000 [pixels], [“My Bloody Valentine 3D”] is shot at 4000, and it’s done with 3D, so it’s not like random things flying at you. It’s literally the whole thing…you’re in the movie,” explained King. “Lionsgate’s doing a great job of being involved with these films that are really taking it to the next level, so I’m really excited about that.

King will be playing the aforementioned Palmer — who’s involved in a bizarre love triangle between her husband and a jealous ex-boyfriend, and the story revolves around a series of murders which took place during Valentines Day ten years prior. “It’s just the mystery around all of that,” said King. “But it’s really cool — it’s not just your normal gore, horror film. It’s very character-oriented.

Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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