Movies
TV: Shelby Young Gets Mean for ‘American Horror’
“Glee” co-creators Ryan Murphy and Brad Falchuk are ramping up the casting on their FX pilot, “American Horror Story”, booking Shelby Young in a recurring role as a “mean girl,” writes THR.
Young, whose credits include The Social Network and “Days of Our Lives”, will play Leah, a pretty senior and leader of the mean girls who torment Violet Harmon (Taissa Farmiga).
“The mysterious thriller revolves around husband and wife Ben (The Practice’s Dylan McDermott) and Vivien Harmon (Friday Night Lights’ Connie Britton) who move their family from Boston to a haunted San Francisco home in an attempt to rebuild their family after a miscarriage and affair.”
Frances Conroy and Alexandra Breckenridge recently joined the cast — both playing Moira O’Hara, a housekeeper who has worked at the haunted home at the center of the drama for years. Moira will appear as a woman in her 60s (Conroy) to Vivien, while a younger version (Breckenridge) will appear to Ben.
Young joins a cast that includes Evan Peters as mysterious teen Tate Langdon; Jessica Lange as the Harmons’ nosy neighbor; and Denis O’Hare as Larry the Burn Guy, a former resident of the home.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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