Movies
[Slamdance ’12] Review: ‘Ghoul’ An Above-Par Adaptation With An Unusually Rich Plot!
Chiller TV’s made-for-TV production, Ghoul, premiered last week at the Slamdance Film Festival. Yesterday we announced that it had an air date for Friday, April 13th. And today we have a review!
John Marrone writes in from Slamdance, “As so often explored by Moderncine creations such as ‘The Girl Net Door’, ‘Offspring’, or ‘The Woman’ – what worse beast is there, than man? Genre crawlers looking to see a corpse eating beast or rape scenes in the tunnels beneath the graveyard should take note – this is not a hard-R film… With children engaging problems that would traumatize adults, and an acoustically driven soundtrack by Sean Spillane, Ghoul feels very much like a less offensive version of something between ‘The Woman’ and ‘The Girl Next Door’.”
Click here for the full review.
Brian Keene’s Ghoul is based on a horror novel of the same name, which follows a group of young friends who risk their lives to stop a rash of disappearances in their town. Directed by Greg Wilson and penned by William M. Miller, the adaptation stars Nolan Gould (“Modern Family”). Wilson also directed Jack Ketchum’s The Girl Next Door. The feature is part of Chiller’s new original productions. The film was produced by MODERNCINÉ’s Andrew van den Houten (The Woman, The Girl Next Door) and Robert Tonino. 
Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.
First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.
Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.
Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.
Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.
“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”
She adds, “We are very much intent on continuing that story.”
At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.
Stay tuned for more on The Invisible Man 2 as we learn it.
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