Movies
Explicit Sexual Gore Causes ‘Antichrist’ Controversy at Cannes
At the top of my list as “most anticipated” for 2009 is Lars von Trier’s Antichrist, which just had its world premiere at the ongoing Cannes market/festival. I’ve been patiently awaiting the buzz, good or bad, and have instead found myself interested for all the wrong reasons – “explicit sexual gore”. Apparently it was so intense it caused an uproar during a press conference where reporters asked von Trier to explain himself. Read on for this breaking story.
From the Hollywood Reporter:
“Declaring himself “the world’s greatest director,” 53-year-old Dane Lars von Trier defended his enfant terrible title with aplomb at the Monday news conference for his Competition shocker “Antichrist.”
It started with a shouting match between Daily Mail columnist Baz Bamigboye and other members of the press corps, with Bamigboye demanding von Trier “explain and justify” the explicit sexual gore in his film and another journo in the audience yelling “He’s an artist, you’re not. He doesn’t have to explain anything!”
And he didn’t. On questions both abusive and toadying, von Trier maintained his autistic savant persona, deliberately avoiding any explanation of “Antichrist,” alternatively mocking or dismissing his interrogators.
“I don’t have to explain anything. You are all my guests here, not the other way round,” von Trier said. “Anyway, I don’t think about the audience when I make a film. I don’t care. I make films for myself.”
Von Trier did defend his use of nausea-inducing imagery — including a bloody masturbation scene and a leg-drilling sequence that could have been cribbed from the “Saw” franchise — as artistic “honesty,” saying to leave the shockers out would have been “like lying.”
He also insisted he was not playing a joke on the audience but meant everything, from the film’s talking fox to the closing dedication to Russian director Andrei Tarkovsky, a dedication that drew howls of laughter at last night’s press screening, to be taken seriously.
But, as always, von Trier tried to have it both ways, joking that it was “a bit of a pity” one can’t actually kill people on screen and putting the blame for the most extreme scenes on lead actress Charlotte Gainsbourg.
“Charlotte took it too far. I tried to, but I just couldn’t stop her,” von Trier quipped.”
Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.
First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.
Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.
Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.
Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.
“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”
She adds, “We are very much intent on continuing that story.”
At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.
Stay tuned for more on The Invisible Man 2 as we learn it.
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