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‘Let Me In’ Dark and Scarier Than ‘Twilight’

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After kissing Twilight‘s arse for way too long, director Matt Reeves reveals in an interview over at MTV that Let Me In, his English-language redo of Let The Right One In, will be much darker and scarier than the Stephenie Meyers’ adaptation. It sure as hell better be! Beyond the break you can read a few tid-bits from the interview. Overture Films has slated Let Me In for release on October 1, 2010.
One of the main things I know readers are worried about is how different this will be from the original. Reeves says he’ll find his own piece to bring to the tale:

One of the things I really wanted to do was find my own way into the story while still being very, very reverent to the beautiful film and to the wonderful story that they created,” Reeves tells MTV. “And so the story in many ways follows the same trajectory. I really wanted to put you, even more so, into the point of view of the boy and understand his childhood as vividly as it comes across in the book.

On avoiding comparison to TWILIGHT:

I think that it has obviously really touched a nerve and tapped into a very, very deep vein. To me, the thing about genre stories that is the most interesting thing is what you do with the metaphor of the genre. You can do a grand, sweeping love story, like “Twilight,” and use that metaphor of the two people that are just being torn apart and the aching-ness of it, and that’s a great fantasy. I think that what people respond to in “Twilight” is the fantasy of it. It’s such a grand, romantic fantasy, and in a way, the reason why I think there is room for a film like ours is, though it’s a vampire film, it uses it in such a different way.

He continues, “Whereas “Twilight” is kind of a fantasy, this will be a darker, scarier kind of journey. Obviously, “True Blood” is also really big these days too, and that’s a different thing using the sexual side. I think it’s really about what sort of emphasis the story takes and how you use the metaphor. The amazing thing about genre films is the way to smuggle in different kinds of themes and things worthy of exploration. I think what so struck me about this story is that what it is exploring is so different and so real.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Atlas’ Trailer – The Algorithm Told Netflix You Want to Watch Jennifer Lopez Pilot a Robot Killing Machine

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Up next from Rampage director Brad Peyton is the sci-fi movie Atlas for Netflix, and Netflix has unleashed the brand new official trailer this morning. You can check it out below.

Jennifer Lopez stars in Atlas, which will likely be streamed for 100 billion minutes in its first week of release. Whatever that means. It’s coming exclusively to Netflix on May 24.

“The film follows Atlas, a woman fighting for humanity in a future where an AI soldier has determined the only way to end war is to end humanity. To outthink this rogue AI, Atlas must work with the one thing she fears most — another AI.”

The upcoming science fiction film’s cast also includes Simu Liu, Sterling K. Brown, Gregory James Cohan, Abraham Popoola, Lana Parrilla and Mark Strong.

Peyton said in a recent statement, “Having the chance to direct Jennifer Lopez in the title role of this movie is a dream come true, as I know she’ll bring the incredible strength, depth and authenticity we’ve all come to admire from her work.”

Leo Sardarian wrote the original script, with the latest draft by Aron Eli Coleite.

Producers for the Netflix genre movie include Peyton, Lopez, Jeff Fierson, Joby Harold, Tory Tunnell, Elaine Goldsmith-Thomas, Benny Medina, Greg Berlanti and Sarah Schechter.

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