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A Bigger Boat Puts Down Payment on ‘House at the End of the Street’

Published

14 years ago

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Update: Title corrected. A Bigger Boat, producer Peter Block’s new company, has been making some serious headlines over the past year. With their incredible thriller Frozen opening in theaters next month, and The Ward (John Carpenter’s big return to horror) in post-production, it appears the producer behind the Saw franchise is nearly unstoppable. It was announced today that A Bigger Boat will be teaming with FilmNation Entertainment for a new psychological thriller in the vein of Psycho entitled House at the End of the Street. Read on for the skinny.
FilmNation Entertainment and A Bigger Boat are combining to finance and produce “House at the End of the Street,” a psychological thriller based on a story written by Jonathan Mostow.

The film will be directed by Mark Tonderai from a David Loucka script. Tonderai helmed “Hush,” a Pathe/IFC-distributed thriller that won a British Independent Film Award.

Pic is described as a thriller in the vein of “Psycho,” aimed at a contemporary young audience.

A Bigger Boat’s Peter Block will produce with FilmNation’s Aaron Ryder, Mostow and Hal Lieberman.

The film had been set up at Universal and developed through the discretionary fund of Mostow/Lieberman. The producers, who subsequently split up, got the picture in turnaround and set it to be co-financed by FilmNation’s Glen Basner and GreeneStreet Films, which partners with Block in A Bigger Boat.

Intention is to start production later this year. That will likely make the film the first production for FilmNation since Basner formed the venture in 2008 as an international sales arm and brought Ryder in shortly after to start a production division. Block just wrapped the John Carpenter-directed thriller “The Ward” as well as “Frozen.”

We believe this will be to ‘Psycho’ what ‘Disturbia’ was to ‘Rear Window,’ but with the addition of a strong female lead,” Ryder said.

In related news, Block has taken U.S. rights to J. Blakeson’s kidnapping thriller “The Disappearance of Alice Creed,” starring Gemma Arterton, which preemed in Toronto.

Film will be released by Anchor Bay, with whom he has a relationship.

Adrian Sturges produced and CinemaNX’s Steve Christian and Marc Samuelson were executive producers and will self-distribute in the U.K. WestEnd Films handles international sales.

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Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Do ‘Ready or Not’ and ‘Abigail’ Take Place in the Same Universe? Did You Spot This Connection?

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16 mins ago

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April 23, 2024

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Abigail trailer

Both extremely bloody cat-and-mouse chases through massive mansions, Radio Silence’s horror movies Ready or Not and Abigail (now playing in theaters!) are certainly cut from the same cloth, but do they actually take place within a shared universe? It was a question the filmmakers were asked, and their response suggests that the answer to that question is YES.

Collider’s Perri Nemiroff asked the question of Radio Silence filmmakers Matt Bettinelli-Olpin and Tyler Gillett, who co-directed both 2019’s Ready or Not and this year’s Abigail. As they point out, an Easter egg nestled within Abigail confirms a shared universe connection.

Bettinelli-Olpin tells Collider, “There is a portrait in the background of one of the scenes [in Abigail] of Henry Czerny’s [character from Ready or Not].” Gillet chimes in to clarify, “It would be a grandfather. A great, great, great, great grandfather [of Czerny’s character].”

Bettinelli-Olpin adds, “There is a little bit of a tied universe to Ready or Not within the movie.”

ready or not abigail

Actor Henry Czerny played the character Tony Le Domas in Radio Silence’s crowd-pleasing hit Ready or Not, the owner of the Le Domas Gaming Dominion and patriarch of the Le Domas family. The film centers on the Le Domas family’s deal with the devil to build their fortune, which Samara Weaving’s character Grace of course finds herself paying the price for.

If the Le Domas family exists in the world of Abigail, as the aforementioned portrait suggests, then that would indeed indicate that both films exist within the same bloody universe!

And it would seem there’s a deeper connection between the Le Domas family and the Lazar crime family introduced in Abigail. Have fun playing around with that idea. We know you will!

We’ll get you started. Is it possible that Abigail’s father is Mr. Le Bail from Ready or Not…?

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

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