Movies
A Bigger Boat Puts Down Payment on ‘House at the End of the Street’
Update: Title corrected. A Bigger Boat, producer Peter Block’s new company, has been making some serious headlines over the past year. With their incredible thriller Frozen opening in theaters next month, and The Ward (John Carpenter’s big return to horror) in post-production, it appears the producer behind the Saw franchise is nearly unstoppable. It was announced today that A Bigger Boat will be teaming with FilmNation Entertainment for a new psychological thriller in the vein of Psycho entitled House at the End of the Street. Read on for the skinny.
FilmNation Entertainment and A Bigger Boat are combining to finance and produce “House at the End of the Street,” a psychological thriller based on a story written by Jonathan Mostow.
The film will be directed by Mark Tonderai from a David Loucka script. Tonderai helmed “Hush,” a Pathe/IFC-distributed thriller that won a British Independent Film Award.
Pic is described as a thriller in the vein of “Psycho,” aimed at a contemporary young audience.
A Bigger Boat’s Peter Block will produce with FilmNation’s Aaron Ryder, Mostow and Hal Lieberman.
The film had been set up at Universal and developed through the discretionary fund of Mostow/Lieberman. The producers, who subsequently split up, got the picture in turnaround and set it to be co-financed by FilmNation’s Glen Basner and GreeneStreet Films, which partners with Block in A Bigger Boat.
Intention is to start production later this year. That will likely make the film the first production for FilmNation since Basner formed the venture in 2008 as an international sales arm and brought Ryder in shortly after to start a production division. Block just wrapped the John Carpenter-directed thriller “The Ward” as well as “Frozen.”
We believe this will be to ‘Psycho’ what ‘Disturbia’ was to ‘Rear Window,’ but with the addition of a strong female lead,” Ryder said.
In related news, Block has taken U.S. rights to J. Blakeson’s kidnapping thriller “The Disappearance of Alice Creed,” starring Gemma Arterton, which preemed in Toronto.
Film will be released by Anchor Bay, with whom he has a relationship.
Adrian Sturges produced and CinemaNX’s Steve Christian and Marc Samuelson were executive producers and will self-distribute in the U.K. WestEnd Films handles international sales.
Movies
‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape
It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.
Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.
“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”
“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”
The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.
Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”
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