Movies
A Bigger Boat Puts Down Payment on ‘House at the End of the Street’
Update: Title corrected. A Bigger Boat, producer Peter Block’s new company, has been making some serious headlines over the past year. With their incredible thriller Frozen opening in theaters next month, and The Ward (John Carpenter’s big return to horror) in post-production, it appears the producer behind the Saw franchise is nearly unstoppable. It was announced today that A Bigger Boat will be teaming with FilmNation Entertainment for a new psychological thriller in the vein of Psycho entitled House at the End of the Street. Read on for the skinny.
FilmNation Entertainment and A Bigger Boat are combining to finance and produce “House at the End of the Street,” a psychological thriller based on a story written by Jonathan Mostow.
The film will be directed by Mark Tonderai from a David Loucka script. Tonderai helmed “Hush,” a Pathe/IFC-distributed thriller that won a British Independent Film Award.
Pic is described as a thriller in the vein of “Psycho,” aimed at a contemporary young audience.
A Bigger Boat’s Peter Block will produce with FilmNation’s Aaron Ryder, Mostow and Hal Lieberman.
The film had been set up at Universal and developed through the discretionary fund of Mostow/Lieberman. The producers, who subsequently split up, got the picture in turnaround and set it to be co-financed by FilmNation’s Glen Basner and GreeneStreet Films, which partners with Block in A Bigger Boat.
Intention is to start production later this year. That will likely make the film the first production for FilmNation since Basner formed the venture in 2008 as an international sales arm and brought Ryder in shortly after to start a production division. Block just wrapped the John Carpenter-directed thriller “The Ward” as well as “Frozen.”
We believe this will be to ‘Psycho’ what ‘Disturbia’ was to ‘Rear Window,’ but with the addition of a strong female lead,” Ryder said.
In related news, Block has taken U.S. rights to J. Blakeson’s kidnapping thriller “The Disappearance of Alice Creed,” starring Gemma Arterton, which preemed in Toronto.
Film will be released by Anchor Bay, with whom he has a relationship.
Adrian Sturges produced and CinemaNX’s Steve Christian and Marc Samuelson were executive producers and will self-distribute in the U.K. WestEnd Films handles international sales.
Following in the wake of Winnie the Pooh and Mickey Mouse getting their own horror movies, Hans Christian Andersen’s The Little Mermaid is the next to get the twisted treatment.
Originally published in 1837, the original tale of The Little Mermaid is now in the public domain, and MSR Media International presents their own horror version of the tale this year.
The Little Mermaid is being distributed by Grindstone Entertainment Group, and the film has officially been rated “R” this week for “Language, some violence and brief nudity.”
In the film from director Leigh Scott, “Dr. Eric Prince, an archaeologist, makes a dramatic discovery on a small Caribbean island—proof of an ancient, advanced prehistoric society. While his dig is in progress, he meets the mysterious and beautiful Aurora Bey and falls in love. Her arrival coincides with several mermaid sightings and strange disappearances.
“When Eric’s friend and mentor, Dr. Ashley, arrives on the island, Ashley uncovers the true identity of Aurora and the dangers of the hidden evil inside Eric’s dig site. Will Eric heed his friend’s advice, or will he be blinded by love and the power of the siren, allowing the world to fall to the forces of evil?”
Lydia Helen, Mike Markoff and Jeff Denton star in The Little Mermaid.
You can watch the trailer now over on MSR Media International’s website.
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