Movies
A Bigger Boat Puts Down Payment on ‘House at the End of the Street’
Update: Title corrected. A Bigger Boat, producer Peter Block’s new company, has been making some serious headlines over the past year. With their incredible thriller Frozen opening in theaters next month, and The Ward (John Carpenter’s big return to horror) in post-production, it appears the producer behind the Saw franchise is nearly unstoppable. It was announced today that A Bigger Boat will be teaming with FilmNation Entertainment for a new psychological thriller in the vein of Psycho entitled House at the End of the Street. Read on for the skinny.
FilmNation Entertainment and A Bigger Boat are combining to finance and produce “House at the End of the Street,” a psychological thriller based on a story written by Jonathan Mostow.
The film will be directed by Mark Tonderai from a David Loucka script. Tonderai helmed “Hush,” a Pathe/IFC-distributed thriller that won a British Independent Film Award.
Pic is described as a thriller in the vein of “Psycho,” aimed at a contemporary young audience.
A Bigger Boat’s Peter Block will produce with FilmNation’s Aaron Ryder, Mostow and Hal Lieberman.
The film had been set up at Universal and developed through the discretionary fund of Mostow/Lieberman. The producers, who subsequently split up, got the picture in turnaround and set it to be co-financed by FilmNation’s Glen Basner and GreeneStreet Films, which partners with Block in A Bigger Boat.
Intention is to start production later this year. That will likely make the film the first production for FilmNation since Basner formed the venture in 2008 as an international sales arm and brought Ryder in shortly after to start a production division. Block just wrapped the John Carpenter-directed thriller “The Ward” as well as “Frozen.”
We believe this will be to ‘Psycho’ what ‘Disturbia’ was to ‘Rear Window,’ but with the addition of a strong female lead,” Ryder said.
In related news, Block has taken U.S. rights to J. Blakeson’s kidnapping thriller “The Disappearance of Alice Creed,” starring Gemma Arterton, which preemed in Toronto.
Film will be released by Anchor Bay, with whom he has a relationship.
Adrian Sturges produced and CinemaNX’s Steve Christian and Marc Samuelson were executive producers and will self-distribute in the U.K. WestEnd Films handles international sales.
One of the genre films set to premiere at the Tribeca Film Festival in June is the sci-fi/drama She Loved Blossoms More, and a bonkers first-look photo has arrived this week (above).
Additionally, Variety reports this afternoon that Yellow Veil Pictures has secured world sales on She Loved Blossoms More, billed as a “family drama in science fiction disguise.”
In the film, “three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.”
Yannis Veslemes directed the film and co-wrote with Dimitris Emmanouilidis.
Veslemes said in a statement shared by Variety, “[She Loved Blossoms More is] a ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”
“She Loved Blossoms More is the first film we’ve onboarded at script stage, and it’s been quite amazing to see it come alive,” said Hugues Barbier of Yellow Veil Pictures. “We couldn’t be more proud of Yannis’ vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”
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