Movies
Sundance ’10: A Monster is Born in New ‘Splice’ Clip
With Vincenzo Natali’s long-delayed Splice playing the Sundance Film Festival this month, there’s some hope that they’ll finally find a new distributor so we can see it in a theater sometime soon (hey, I’ll take DVD at this point). Today a brand new clip was posted online that features stars Adrien Brody and Sarah Polley creating their monster. Click here for our image gallery or read on to take a new gander at the Guillermo del Toro produced sci-fi horror flick in the vein of Species
“Clive and Elsa are young, brilliant and ambitious. The new animal species they engineered have made them rebel superstars of the scientific world. In secret, they introduce human DNA into the experiment. The result is something that is greater than the sum of its parts: a female animal-human hybrid that may be a step up on the evolutionary ladder. They think they may have created the perfect organism, until she makes a final shocking metamorphosis that could destroy them … and the rest of humanity.”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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