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‘King Kong’ Story Begins on Skull Island

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While everyone complains over and over about remakes of A Nightmare on Elm Street, Friday the 13th, Halloween and countless others, nobody seems to mind that classic Universal Monsters and other iconic characters have been on the big screen more times than I can count on 60 hands. One of the most legendary is King Kong, who will once again return to theaters in the prequel Kong: King of Skull Island, a book that came out around the same time as Peter jackson’s mega-budget remake. Read on for the skinny.
Kong: King Of Skull IslandSpirit Pictures is looking to breathe new life into King Kong and a project initially developed by effects legend Ray Harryhausen, reports Variety.

Producers at the shingle have picked up the rights to the book “Kong: King of Skull Island,” a prequel to the well-known tale of the big ape.

Penned by Joe DeVito and Brad Strickland, book focuses on the backstory of Skull Island and how the giant gorilla became king there. It introduces other giant gorillas and dinosaurs only hinted at in the previous films.

The book was published at the same time Peter Jackson was producing his remake of “King Kong.”

Rights to make the movie were brokered with the Merian C. Cooper family, who own the Kong property. Cooper co-directed the original “Kong,” released in 1933.

We’re very concerned with honoring Merian C. Cooper’s legacy in Hollywood. We want to make sure that whatever we deliver will honor his memory,” said Spirit’s Steve Iles, who worked on videogames for the “Star Wars” and “Pirates of the Caribbean” franchises through his Pocket Studios game company.

The plan is to produce the film using motion-capture technology such as Robert Zemeckis used to make “The Polar Express,” “Beowulf” and the upcoming “A Christmas Carol.” Spirit’s own facility would produce the CG work.

Spirit also is developing “War Eagles,” a project Cooper and Harryhausen had developed together and were nearly set to produce before the outbreak of WWII. The period actioner is set in 1939 and revolves around an ace fighter-pilot who tests a new jet and winds up crash-landing in the arctic, where he encounters a lost civilization that’s been thriving there for centuries.

It’s one of those films that a certain level of the industry is aware of,” said Arnold Kunert, producer on both “Kong” and “Eagles.” “It’s a combination of all the things that have worked in adventure films for the last 70 or 80 years.

Andy Briggs is working on the scripts for both films, with Spirit also developing offshoots like graphic novels, videogames and toys.

Iles and Kunert will produce both pics through Spirit, which is still seeking production partners on the projects.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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