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‘King Kong’ Story Begins on Skull Island

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While everyone complains over and over about remakes of A Nightmare on Elm Street, Friday the 13th, Halloween and countless others, nobody seems to mind that classic Universal Monsters and other iconic characters have been on the big screen more times than I can count on 60 hands. One of the most legendary is King Kong, who will once again return to theaters in the prequel Kong: King of Skull Island, a book that came out around the same time as Peter jackson’s mega-budget remake. Read on for the skinny.
Kong: King Of Skull IslandSpirit Pictures is looking to breathe new life into King Kong and a project initially developed by effects legend Ray Harryhausen, reports Variety.

Producers at the shingle have picked up the rights to the book “Kong: King of Skull Island,” a prequel to the well-known tale of the big ape.

Penned by Joe DeVito and Brad Strickland, book focuses on the backstory of Skull Island and how the giant gorilla became king there. It introduces other giant gorillas and dinosaurs only hinted at in the previous films.

The book was published at the same time Peter Jackson was producing his remake of “King Kong.”

Rights to make the movie were brokered with the Merian C. Cooper family, who own the Kong property. Cooper co-directed the original “Kong,” released in 1933.

We’re very concerned with honoring Merian C. Cooper’s legacy in Hollywood. We want to make sure that whatever we deliver will honor his memory,” said Spirit’s Steve Iles, who worked on videogames for the “Star Wars” and “Pirates of the Caribbean” franchises through his Pocket Studios game company.

The plan is to produce the film using motion-capture technology such as Robert Zemeckis used to make “The Polar Express,” “Beowulf” and the upcoming “A Christmas Carol.” Spirit’s own facility would produce the CG work.

Spirit also is developing “War Eagles,” a project Cooper and Harryhausen had developed together and were nearly set to produce before the outbreak of WWII. The period actioner is set in 1939 and revolves around an ace fighter-pilot who tests a new jet and winds up crash-landing in the arctic, where he encounters a lost civilization that’s been thriving there for centuries.

It’s one of those films that a certain level of the industry is aware of,” said Arnold Kunert, producer on both “Kong” and “Eagles.” “It’s a combination of all the things that have worked in adventure films for the last 70 or 80 years.

Andy Briggs is working on the scripts for both films, with Spirit also developing offshoots like graphic novels, videogames and toys.

Iles and Kunert will produce both pics through Spirit, which is still seeking production partners on the projects.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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