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Update: Official One Sheet For ‘Downloading Nancy’

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When it premiered as an official selection at the 2008 Sundance Film Festival, Downloading Nancy (trailer) became one of the most controversial films ever to premiere at the festival. Set at the dawn of the Internet explosion, the film is inspired by a true story of one woman’s deadly desire to journey on the Internet to satisfy a dark psycho sexual need. While we’re unsure about how dark the film gets, some attendees of the festival told us that we should definitely be telling you dear reader about this forthcoming release. Beyond the break you can check out the official one sheet for Pamela Cuming & Lee Ross’s project arriving in limited cities on June 5.
When Albert Stockwell (Rufus Sewell, Dark City, Illuminata) comes home from work one day, he finds a note from his wife of 15 years, Nancy (Maria Bello, A History of Violence, Thank You for Smoking), saying she has gone to see friends. After waiting several days, Albert realizes that his wife is missing. Nancy has met her salvation on the Internet in the form of Louis Farley (Jason Patric, The Lost Boys, Rush). Nancy and Louis, both wounded souls, take comfort in one another through e-mail, pictures, and promises of perverse sexual encounters. Nancy has finally found the one and only thing that can liberate her from the pain in her life. While she pursues the freedom that she feels will only come with ultimate liberation, Albert is left to put the pieces together and try to salvage what is left.

DOWNLOADING NANCY stars Maria Bello, Jason Patric, Rufus Sewell and Amy Benneman. The film is directed by Johan Renck, Christopher Doyle is the director of photography and the screenplay was penned by Pamela Cuming and Lee Ross. Igor Kovacevich, David Moore, Cole Payne and Jason Essex are the producers.

Here’s the actual official one sheet:

Poster from IMP Awards:

Downloading Nancy

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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