Movies
Sundance ’10: Ryan Daley Reflects Back on 6 Films of the Fest
The Sundance Film Festival is traditionally a mixed bag, but this year’s Park City at Midnight line-up was easily one of the strongest I’ve ever seen. Almost all of the movies featured were in some way entertaining, and three of the films were downright excellent. Here’s how I rank the six horror movies I saw at this year’s festival.
The audience at my midnight screening was initially enthusiastic about The Butcher Brothers’ most recent effort, but that enthusiasm soon gave way to disenchantment, and eventually scorn, as the directors took a fun sub-genre (the 70s exploitation film) and stomped all the life out of it. All but impossible to sit through.
Even high production values couldn’t save this one, a sci-fi drama that’s all over the place in terms of tone. Is it a semi-instructional film about how to raise a mutant baby? Or is it a lurid sex flick featuring human-on-mutant groin-slammin’? Hard to tell. A weird mash-up of genres that never quite congeals.
The definition of mediocrity stretched to its breaking point. A couple of amusing scenes try to carry the load, but with the majority of the movie buried under a hapless heap of “who cares?” plot developments, this is a flick that quickly wears out its welcome.
Ryan Reynolds rocks the screen hard in a singular, no-holds-barred performance. Some will question the ending (avoid all reviews if you plan on seeing it), but in the world of tightly-wound, independently financed thrillers, Buried knows no equal.
Like Martyrs, this is torture-porn for the intellectual set. Those who enjoy their cinematic brutality served up with a side of emotional realism are in for a real treat. Sometimes graphic, sometimes restrained, 7 Days is the perfect amalgam of gut-wrenching horror and high art.
After a slow and baggy set-up, director Adam Green really brings the pain for the full remaining hour of his winter extremes horror film, a truly harrowing experience that provokes hours of discussion once the credits have rolled. By the time I left the theater, my armrests were slick with hand sweat.
We are now less than one month away from the release of Lionsgate’s The Strangers: Chapter 1, the first film in a brand new reboot trilogy from director Renny Harlin (A Nightmare on Elm Street: The Dream Master, Deep Blue Sea). It’s coming to theaters May 17, 2024.
The Strangers: Chapter 1 has officially been rated “R” this week for…
“Horror violence, language and brief drug use.”
For the sake of comparison, Bryan Bertino’s original home invasion film was rated “R” for “violence/terror,” while Prey at Night was rated “R” for “horror violence and terror throughout.”
Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.
Based on the original 2008 cult horror franchise, the project features Petsch, who drives cross-country with her longtime boyfriend (Gutierrez) to begin a new life in the Pacific Northwest. When their car breaks down in Venus, Oregon, they’re forced to spend the night in a secluded Airbnb, where they are terrorized from dusk till dawn by three masked strangers.
Here’s the full official synopsis: “After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive.”
Renny Harlin (Cliffhanger, Deep Blue Sea, Die Hard 2) is directing from a script by Alan R. Cohen and Alan Freedland (The Freak Brothers, Due Date). Lionsgate will distribute worldwide.
The Strangers began in 2008 with Bryan Bertino’s original home invasion horror movie, a terrifying film that introduced three masked killers who returned 10 years later with The Strangers: Prey at Night in 2018. The first film took place in a remote house in the woods while the sequel brought the murderous Man in the Mask, Dollface and Pinup Girl into a trailer park.
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