Movies
Sundance ’10: Ryan Daley Reflects Back on 6 Films of the Fest
The Sundance Film Festival is traditionally a mixed bag, but this year’s Park City at Midnight line-up was easily one of the strongest I’ve ever seen. Almost all of the movies featured were in some way entertaining, and three of the films were downright excellent. Here’s how I rank the six horror movies I saw at this year’s festival.
The audience at my midnight screening was initially enthusiastic about The Butcher Brothers’ most recent effort, but that enthusiasm soon gave way to disenchantment, and eventually scorn, as the directors took a fun sub-genre (the 70s exploitation film) and stomped all the life out of it. All but impossible to sit through.
Even high production values couldn’t save this one, a sci-fi drama that’s all over the place in terms of tone. Is it a semi-instructional film about how to raise a mutant baby? Or is it a lurid sex flick featuring human-on-mutant groin-slammin’? Hard to tell. A weird mash-up of genres that never quite congeals.
The definition of mediocrity stretched to its breaking point. A couple of amusing scenes try to carry the load, but with the majority of the movie buried under a hapless heap of “who cares?” plot developments, this is a flick that quickly wears out its welcome.
Ryan Reynolds rocks the screen hard in a singular, no-holds-barred performance. Some will question the ending (avoid all reviews if you plan on seeing it), but in the world of tightly-wound, independently financed thrillers, Buried knows no equal.
Like Martyrs, this is torture-porn for the intellectual set. Those who enjoy their cinematic brutality served up with a side of emotional realism are in for a real treat. Sometimes graphic, sometimes restrained, 7 Days is the perfect amalgam of gut-wrenching horror and high art.
After a slow and baggy set-up, director Adam Green really brings the pain for the full remaining hour of his winter extremes horror film, a truly harrowing experience that provokes hours of discussion once the credits have rolled. By the time I left the theater, my armrests were slick with hand sweat.
After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.
You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!
Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.
Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”
“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.
She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”
Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.
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